Noma’s Sydney and Walda Bestholff Sculpture Garden Expansion Incorporates Innovatibve Architectural Elements

Rendering of Sydney and Walda Besthoff Sculpture Garden expansion. Image Courtesy of NOMA and Reed Hilderbrand.
Rendering of Sydney and Walda Besthoff Sculpture Garden expansion. Image Courtesy of NOMA and Reed Hilderbrand.

The Garden will Emphasize the Distinctive Character of Louisiana Landscape

NEW ORLEANS, LA – The six-acre expansion of the Sydney and Walda Besthoff Sculpture Garden at the New Orleans Museum of Art (NOMA) opens to the public on May 15, 2019. With environmental impact at the forefront of planning, the sculpture garden expansion emphasizes the distinctive character of the Louisiana landscape while incorporating architectural elements such as the first canal link bridge of its kind in the United States, an outdoor amphitheater and stage, a sculpture pavilion and an outdoor learning environment, alongside 26 new large-scale sculptures.

“The diverse character of the Sydney and Walda Besthoff Sculpture Garden Expansion has afforded multiple opportunities to select, commission and locate sculptures that engage in a dialogue with the unique conditions of the site,” said Susan Taylor, Montine McDaniel Freeman Director. “The new garden joins the historical character of the setting and contemporary values for a healthy and sustainable ecology into a compelling experience of art that is specific to NOMA’s primary mission—to share significant art and artists with the broadest possible public.”

In collaboration with landscape design partners Reed Hilderbrand, NOMA has designed a sculpture garden with water as its focus. A central element of the sculpture garden expansion, the existing lagoon within the perimeters of the sculpture garden is reshaped to emphasize the expanse of open water, and revitalized to capture, clean and aerate water as a healthy and sustainable resource. Reshaping and stabilizing the lagoon shoreline increases capacity, improves water quality, and reduces loads on the municipal drainage system. An integrated water management strategy diverts storm water pipes to capture sediments before reaching the lagoon and introduces emergent vegetation to mitigate pollutants. Set within the garden, a weir allows for changes in water level to address flooding potential and re-oxygenate the system as it flows through the garden.

A connection between the existing five-acre Sydney and Walda Besthoff Sculpture Garden and the garden expansion is provided by a canal link bridge. Two-hundred-and-eighty feet in length, this structure dips into the lagoon, taking visitors down to the waterline and creating the unique experience of walking through water. The canal link is the first design of its kind in the United States, and only the second of its kind in the world.

Set within the sculpture garden, a 5,000 square foot indoor sculpture pavilion created by Lee Ledbetter & Associates serves as a landmark for the expansion, offering exhibition space for indoor sculpture and other works in NOMA’s collection that complement the garden’s outdoor installations. The gallery’s elliptical shape is reflected inside through curving walls, encouraging movement around the installations. Eighteen-foot ceilings allow for the display of taller work, and continuous skylights around the room’s perimeter emphasize the gallery’s external setting.

An amphitheater provides opportunities for musical, theatrical, and cultural programming, as well as a location for visitors to contemplate the garden. Bermed grass forms gradually stepped seating beneath a grove of trees, overlooking a backlit stage that extends over the lagoon.

An outdoor learning environment offers a flexible and informal gathering space, accommodating classes and facilitating unique pedagogical and youth programming opportunities at the north edge of the garden.

Paying homage to the lush character of the site, NOMA’s Sydney and Walda Besthoff Sculpture Garden expansion incorporates vegetation indigenous to the region as a setting to experience sculpture and the performing arts. Hundreds of newly planted trees, palmettos, and shrubs align with the historical fabric of the landscape, while preserved-heritage live oaks extend the adjacent canopy through the garden.

“While the Sculpture Garden expansion builds on the success of the existing garden, we have worked with our design partners to incorporate architectural features that the original garden does not have,” said Walda Besthoff, patron of the Sydney and Walda Besthoff Sculpture Garden. “The principals developing this project have worked hard and well together to achieve an imaginative and exhilarating new space.”

Like the existing garden, the Sydney and Walda Besthoff Sculpture Garden expansion will be free and open to the public, seven days a week.


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