Sean Kelly is delighted to present On the Water’s Edge, James Casebere’s eighth solo exhibition with the gallery. In this arresting new series of images, Casebere continues his ever-evolving exploration of form at the intersection of architecture, sculpture and photography. In previous, well-known bodies of work, the artist depicted buildings and interiors based primarily on extant structures; this series, however, is distinguished by a marked change in Casebere’s conceptual approach. To create these salient new images, Casebere became the architect, often designing and building the structures he produced and then photographed. There will be an opening reception on Thursday, December 12, from 6-8pm. The artist will be present.
The works in the exhibition are hybrids of public/private spaces. Geometrically designed edifices rendered in a rich and vibrant palette; these buildings appear simultaneously concrete and abstract; they are open, even unfinished buildings of the sort that provide sanctuary, such as beach houses, cabanas, bathhouses. Neither utopian nor dystopian, these images are meant to inspire an appreciation of pure beauty coupled with a twinge of uncertainty. Indeed, in these unmoored, flooded pavilions, Casebere sees human ingenuity in the face of global warming. Acknowledging the imminent unknown future these pictures embody, he also insists that we “can’t afford to throw our hands up in… resignation.” Casebere states that these structures are about tenacity, adaptation, ingenuity, and perhaps, optimism, describing them by saying, “there is such a playful atmosphere to them. It feels like an expression of the indomitable human spirit. These things could be rising out of the water like the first creatures to emerge from the sea and live on solid ground.”