https://TheVirtualLibrary.org LIFE IS A DREAM

CALDERON DE LA BARCA

NOW FIRST TRANSLATED FULLY FROM THE SPANISH IN THE

METRE OF THE ORIGINAL.

BY

DENIS FLORENCE MAC-CARTHY.

LONDON: HENRY S. KING & CO., 65 CORNHILL, AND 12, PATERNOSTER ROW.

1873.

INTRODUCTION.

Two of the dramas contained in this volume are the most celebrated of all Calderon’s writings. The first, “La Vida es Sueno”, has been translated into many languages and performed with success on almost every stage in Europe but that of England. So late as the winter of 1866-7, in a Russian version, it drew crowded houses to the great theatre of Moscow; while a few years earlier, as if to give a signal proof of the reality of its title, and that Life was indeed a Dream, the Queen of Sweden expired in the theatre of Stockholm during the performance of “La Vida es Sueno”. In England the play has been much studied for its literary value and the exceeding beauty and lyrical sweetness of some passages; but with the exception of a version by John Oxenford published in “The Monthly Magazine”

for 1842, which being in blank verse does not represent the form of the original, no complete translation into English has been attempted. Some scenes translated with considerable elegance in the metre of the original were published by Archbishop Trench in 1856; but these comprised only a portion of the graver division of the drama. The present version of the entire play has been made with the advantages which the author’s long experience in the study and interpretation of Calderon has enabled him to apply to this master-piece of the great Spanish poet. All the forms of verse have been preserved; while the closeness of the translation may be inferred from the fact, that not only the whole play but every speech and fragment of a speech are represented in English in the exact number of lines of the original, without the sacrifice, it is to be hoped, of one important idea.

A note by Hartzenbusch in the last edition of the drama published at Madrid (1872), tells that “La Vida es Sueno”, is founded on a story which turns out to be substantially the same as that with which English students are familiar as the foundation of the famous Induction to the “Taming of the Shrew”. Calderon found it however in a different work from that in which Shakespeare met with it, or rather his predecessor, the anonymous author of “The Taming of a Shrew”, whose work supplied to Shakespeare the materials of his own

comedy.

On this subject Malone thus writes. “The circumstance on which the Induction to the anonymous play, as well as to the present Comedy [Shakespeare’s “Taming of the Shrew”], is founded, is related (as Langbaine has observed) by Heuterus, “Rerum Burgund.” lib. iv. The earliest English original of this story in prose that I have met with is the following, which is found in Goulart’s “Admirable and Memorable Histories”, translated by E. Grimstone, quarto, 1607; but this tale (which Goulart translated from Heuterus) had undoubtedly appeared in English, in some other shape, before 1594:

“Philip called the good Duke of Burgundy, in the memory of our ancestors, being at Bruxelles with his Court, and walking one night after supper through the streets, accompanied by some of his favourites, he found lying upon the stones a certaine artisan that was very dronke, and that slept soundly. It pleased the prince in this artisan to make trial of the vanity of our life, whereof he had before discoursed with his familiar friends.

He therefore caused this sleeper to be taken up, and carried into his palace; he commands him to be layed in one of the richest beds; a riche night cap to be given him; his foule shirt to be taken off, and to have another put on him of fine holland. When as this dronkard had digested his wine, and began to awake, behold there comes about his bed Pages and Groomes of the Duke’s Chamber, who drawe the curteines, make many courtesies, and being bare-headed, aske him if it please him to rise, and what apparell it would please him to put on that day. They bring him rich apparell. This new Monsieur amazed at such courtesie, and doubting whether he dreamt or waked, suffered himselfe to be drest, and led out of the chamber. There came noblemen which saluted him with all honour, and conduct him to the Masse, where with great ceremonie they give him the booke of the Gospell, and the Pixe to kisse, as they did usually to the Duke. From the Masse they bring him back unto the pallace; he washes his hands, and sittes down at the table well furnished. After dinner, the Great Chamberlain commands cards to be brought with a great summe of money. This Duke in imagination playes with the chief of the Court. Then they carry him to walke in the gardein, and to hunt the hare, and to hawke. They bring him back into the pallace, where he sups in state. Candles being light the musitions begin to play; and the tables taken away, the gentlemen and gentlewomen fell to dancing. Then they played a pleasant comedie, after which followed a Banket, whereat they had presently store of Ipocras and pretious wine, with all sorts of confitures, to this prince of the new impression; so as he was dronke, and fell soundlie asleepe. Hereupon the Duke commanded that he should be disrobed of all his riche attire. He was put into his old ragges, and carried into the same place, where he had been found the night before; where he spent that night. Being awake in the morning, he began to remember what had happened before; he knewe not whether it were true indeede, or a dream that had troubled his braine. But in the end, after many discourses, he concludes that ALL WAS BUT A DREAME that had happened unto him; and so entertained his wife, his children, and his neighbours, without any other apprehension.”

It is curious to find that the same anecdote which formed the Induction to the original

“Taming of a Shrew”, and which, from a comic point of view, Shakespeare so wonderfully developed in his own comedy, Calderon invested with such solemn and sublime dignity in

“La Vida es Sueno”. He found it, as Senor Hartzenbusch points out in the edition of 1872

already quoted, in the very amusing “Viage Entretenido” of Augustin de Rojas, which was

first published in 1603. Hartzenbusch refers to the modern edition of Rojas, Madrid, 1793, tomo I, pp. 261, 262, 263, but in a copy of the Lerida edition of 1615, in my own possession, I find the anecdote at folios 118, 119, 120. There are some slight differences between the version of Rojas and that of Goulart, but the incidents and the persons are the same. The conclusion to which the artizan arrived at, in the version of Goulart, that all had been a dream, is expressed more strongly by the Duke himself in the story as told by Rojas.

“Y dijo entonces el Duque: ‘veis aqui, amigos, “Lo que es el Mundo: Todo es un Sueno”, pues esto verdaderamente ha pasado por este, como habeis visto, y le parece que lo ha sonado.’” —

The story in all probability came originally from the East. Mr. Lane in his translation of the Thousand and One Nights gives a very interesting narrative which he believes to be founded on an historical fact in which Haroun Al Raschid plays the part of the good Duke of Burgundy, and Abu-l-Hasan the original of Christopher Sly. The gravity of the treatment and certain incidents in this Oriental story recall more strongly Calderon’s drama than the Induction to the “Taming of the Shrew”. “La Vida es Sueno” was first published either at the end of 1635 or beginning of 1636.

The “Aprobacion” for its publication along with eleven other dramas (not nine as Archbishop Trench has stated), was signed on the 6th of November in the former year by the official licenser, Juan Bautista de Sossa. The volume was edited by the poet’s brother, Don Joseph Calderon. So scarce has this first authorised collection of any of Calderon’s dramas become, that a Spanish writer Don Vicente Garcia de la Huerta, in his “Teatro Espanol” (Parte Segunda, tomo 3o), denies the existence of this volume of 1635, and states that it did not appear until 1640. As if to corroborate this view, Barrera in his

“Catalogo del Teatro antiguo Espanol” gives the date 1640 to the “Primera parte de comedias de Calderon” edited by his brother Joseph.

There can be no doubt, however, that the volume appeared in 1635 or 1636 as stated. In 1637 Don Joseph Calderon published the “Second Part” of his brother’s dramas containing like the former volume twelve plays.* In his dedication of this volume to D.

Rodrigo de Mendoza, Joseph Calderon expressly alludes to the First Part of his brother’s comedies which he had “printed.” “En la primera Parte, Excellentissimo Senor, de las comedias que imprimi de Don Pedro Calderon de La Barca, mi hermano,” etc. This of course settles the fact of the prior publication of the first Part. It is singular, however, to find that the most famous of all Calderon’s dramas should have been frequently ascribed to Lope de Vega. So late as 1857 it is given in an Italian version by Giovanni La Cecilia, under the title of “La Vita e un Sogno”, as a drama of Lope de Vega, with the date 1628.

This of course is a mistake, but Senor Hartzenbusch, who makes no allusion to this circumstance, admits that two dramas of Lope de Vega, which it is presumed preceded the composition of Calderon’s play turn on very nearly the same incidents as those of “La Vida es Sueno”. These are “Lo que ha de ser”, and “Barlan y Josafa”. He gives a passage from each of these dramas which seem to be the germ of the fine lament of Sigismund, which the reader will find translated in the present volume.

[footnote] *In the library of the British Museum there is a fine copy of this “Segunda Parte de Comedias de Don Pedro Calderon de la Barca” Madrid, 1637. Mr. Ticknor mentions

(1863) that he too had a copy of this interesting volume.

Senor Hartzenbusch, in the edition of Calderon’s “La Vida es Sueno”, already referred to (Madrid, 1872), prints the passages from Lope de Vega’s two dramas, but in neither of them, he justly remarks, can we find anything that at all corresponds to this “grandioso caracter de Segismundo.”

The second drama in this volume, “The Wonderful Magician”, is perhaps better known to poetical students in England than even the first, from the spirited fragment Shelley has left us in his “Scenes from Calderon.” The preoccupation of a subject by a great master throws immense difficulties in the way of any one who ventures to follow in the same path: but as Shelley allowed himself great licence in his versification, and either from carelessness or an imperfect knowledge of Spanish is occasionally unfaithful to the meaning of his author, it may be hoped in my own version that strict fidelity both as to the form as well as substance of the original may be some compensation for the absence of those higher poetical harmonies to which many of my readers will have been accustomed.

“El Magico Prodigioso” appeared for the first time in the same volume as “La Vida es Sueno”, prepared for publication in 1635 by Don Joseph Calderon. The translation is comprised in the same number of lines as the original, and all the preceding remarks on

“Life is a Dream”, whether in reference to the period of the first publication of the drama in Spain, or the principles I kept in view while attempting this version may be applied to it. As in the Case of “Life is a Dream”, “The Wonderful Magician” has previously been translated entire by an English writer, (“Justina”, by J.H. 1848); but as Archbishop Trench truly observes, “the writer did not possess that command of the resources of the English language, which none more than Calderon requires.”

The Legend on which Calderon founded “El Magico Prodigioso” will be found in Surius,

“De probatis Sanctorum historiis”, t. V. (Col. Agr. 1574), p. 351: “Vita et Martyrium SS.

Cypriani et Justinae, autore Simeone Metaphraste”, and in Chapter cxlii, of the “Legenda Aurea” of Jacobus de Voragine “De Sancta Justina virgine”.

The martyrdom of the Saints took place in the year 290, and their festival is celebrated by the Church on the 26th of September.

Mr. Ticknor in his History of Spanish Literature, 1863, volume ii. p. 369, says that the Wonder-working Magician is founded on “the same legend on which Milman has founded his ‘Martyr of Antioch.’” This is a mistake of the learned writer. “The Martyr of Antioch”

is founded not on the history of St. Justina but of Saint Margaret, as Milman himself expressly states. Chapter xciii., “De Sancta Margareta”, in the “Legenda Aurea” of Jacobus de Voragine contains her story.

The third translation in this volume is that of “The Purgatory of St. Patrick”. This, though perhaps not so famous as the two preceding dramas, is intended to be given by Don P. De la Escosura, in a selection of Calderon’s finest “comedias”, now being edited by him for the Spanish Academy, as the representative piece of its class — namely, the mystical drama founded on the lives of Saints. Mr. Ticknor prefers it to the more celebrated

“Devotion of the Cross,” and says that it “is commonly ranked among the best religious plays of the Spanish theatre in the seventeenth century.”

In all that relates to the famous cave known through the middle ages as the “Purgatory of

Saint Patrick”, as well as the Story of Luis Enius — the Owain Miles of Ancient English poetry — Calderon was entirely indebted to the little volume published at Madrid, in 1627, by Juan Perez de Montalvan, entitled “Vida y Purgatorio de San Patricio”. This singular work met with immense success. It went through innumerable editions, and continues to be reprinted in Spain as a chap-book, down to the present day. I have the fifth impression “improved and enlarged by the author himself,” Madrid, 1628, the year after its first appearance: also a later edition, Madrid, 1664. As early as 1637 a French translation appeared at Brussels by “F. A. S. Chartreux, a Bruxelles.” In 1642 a second French translation was published at Troyes, by “R. P. Francois Bouillon, de l’Ordre de S.

Francois, et Bachelier de Theologie.” Mr. Thomas Wright in his “Essay on St. Patrick’s Purgatory,” London, 1844, makes the singular mistake of supposing that Bouillon’s

“Histoire de la Vie et Purgatoire de S. Patrice” was founded on the drama of Calderon, it being simply a translation of Montalvan’s “Vida y Purgatorio,” from which, like itself, Calderon’s play was derived. Among other translations of Montalvan’s work may be mentioned one in Dutch (Brussels, 1668) and one in Portuguese (Lisbon, 1738). It was also translated into German and Italian, but I find no mention of an English version. For this reason I have thought that a few extracts might be interesting, as showing how closely Calderon adhered even to the language of his predecessor.

In all that relates to the Purgatory, Montalvan’s work is itself chiefly compiled from the

“Florilegium Insulae Sanctorum, seu vitae et Actae sanctorum Hiberniae,” Paris, 1624, fol. This work, which has now become scarce, was written by Thomas Messingham an Irish priest, the Superior of the Irish Seminary in Paris. No complete English version appears to have been made of it, but a small tract in English containing everything in the original work that referred to St. Patrick’s Purgatory was published at Paris in 1718. As this tract is perhaps more scarce than even the Florilegium itself, the account of the Purgatory as given by Messingham from the MS. of Henry of Saltrey is reprinted in the notes to this drama in the quaint language of the anonymous translator. Of this tract,

“printed at Paris in 1718” without the name of author, publisher or printer, I have not been able to trace another copy. In other points of interest connected with Calderon’s drama, particularly to the clearing up of the difficulty hitherto felt as to the confused list of authorities at the end, the reader is also referred to the notes.

The present version of “The Purgatory of Saint Patrick” is, with the exception of a few unimportant lines, an entirely new translation. It is made with the utmost care, imitating all the measures and contained, like the two preceding dramas, in the exact number of lines of the original. One passage of the translation which I published in 1853 is retained in the notes, as a tribute of respect to the memory of the late John Rutter Chorley, it having been mentioned with praise by that eminent Spanish scholar in an elaborate review of my earlier translations from Calderon, which appeared in the “Athenaeum”, Nov. 19 and Nov.

26, 1853.

It only remains to add that the text I have followed is that of Hartzenbusch in his edition of Calderon’s Comedias, Madrid, 1856 (“Biblioteca de Autores Espanoles”). His arrangement of the scenes has been followed throughout, thus enabling the reader in a moment to verify for himself the exactness of the translation by a reference to the original, a crucial test which I rather invite than decline.

CLAPHAM PARK, Easter, 1873.

LIFE IS A DREAM.

TO

DON JUAN EUGENIO HARTZENBUSCH,

POET, DRAMATIST, NOVELIST, AND CRITIC, THE MOST ILLUSTRIOUS OF LIVING SPANISH

WRITERS,

THIS TRANSLATION INTO ENGLISH IMITATIVE VERSE OF CALDERON’S MOST FAMOUS DRAMA, IS INSCRIBED, WITH THE ESTEEM AND REGARD OF THE AUTHOR.

PERSONS.

* * * * *

BASILIUS, King of Poland.

SIGISMUND, his Son.

ASTOLFO, Duke of Muscovy.

CLOTALDO, a Nobleman.

ESTRELLA, a Princess.

ROSAURA, a Lady.

CLARIN, her Servant.

Soldiers.

Guards.

Musicians.

Attendants.

Ladies.

Servants.

* * * * *

The Scene is in the Court of Poland, in a fortress at some distance, and in the open field.

LIFE IS A DREAM.

* * * * *

ACT THE FIRST.

At one side a craggy mountain, at the other a tower, the lower part of which serves as the

prison of Sigismund. The door facing the spectators is half open. The action commences at nightfall.

SCENE I.

ROSAURA, CLARIN.

ROSAURA in man’s attire appears on the rocky heights and descends to the plain. She is followed by CLARIN.

ROSAURA. Wild hippogriff swift speeding,

Thou that dost run, the winged winds exceeding, Bolt which no flash illumes,

Fish without scales, bird without shifting plumes, And brute awhile bereft

Of natural instinct, why to this wild cleft, This labyrinth of naked rocks, dost sweep

Unreined, uncurbed, to plunge thee down the steep?

Stay in this mountain wold,

And let the beasts their Phaeton behold.

For I, without a guide,

Save what the laws of destiny decide,

Benighted, desperate, blind.

Take any path whatever that doth wind

Down this rough mountain to its base,

Whose wrinkled brow in heaven frowns in the sun’s bright face.

Ah, Poland! in ill mood

Hast thou received a stranger, since in blood The name thou writest on thy sands

Of her who hardly here fares hardly at thy hands.

My fate may well say so:—

But where shall one poor wretch find pity in her woe?

CLARIN. Say two, if you please;

Don’t leave me out when making plaints like these.

For if we are the two

Who left our native country with the view

Of seeking strange adventures, if we be

The two who, madly and in misery,

Have got so far as this, and if we still

Are the same two who tumbled down this hill, Does it not plainly to a wrong amount,

To put me in the pain and not in the account?

ROSAURA. I do not wish to impart,

Clarin, to thee, the sorrows of my heart;

Mourning for thee would spoil the consolation

Of making for thyself thy lamentation; For there is such a pleasure in complaining, That a philosopher I’ve heard maintaining

One ought to seek a sorrow and be vain of it, In order to be privileged to complain of it.

CLARIN. That same philosopher

Was an old drunken fool, unless I err:

Oh, that I could a thousand thumps present him, In order for complaining to content him!

But what, my lady, say,

Are we to do, on foot, alone, our way

Lost in the shades of night?

For see, the sun descends another sphere to light.

ROSAURA. So strange a misadventure who has seen?

But if my sight deceives me not, between

These rugged rocks, half-lit by the moon’s ray And the declining day,

It seems, or is it fancy? that I see

A human dwelling?

CLARIN. So it seems to me,

Unless my wish the longed-for lodging mocks.

ROSAURA. A rustic little palace ‘mid the rocks Uplifts its lowly roof,

Scarce seen by the far sun that shines aloof.

Of such a rude device

Is the whole structure of this edifice,

That lying at the feet

Of these gigantic crags that rise to greet The sun’s first beams of gold,

It seems a rock that down the mountain rolled.

CLARIN. Let us approach more near,

For long enough we’ve looked at it from here; Then better we shall see

If those who dwell therein will generously A welcome give us.

ROSAURA. See an open door

(Funereal mouth ‘twere best the name it bore), From which as from a womb

The night is born, engendered in its gloom.

[The sound of chains is heard within.]

CLARIN. Heavens! what is this I hear?

ROSAURA. Half ice, half fire, I stand transfixed with fear.

CLARIN. A sound of chains, is it not?

Some galley-slave his sentence here hath got; My fear may well suggest it so may be.

* * * * *

SCENE II.

SIGISMUND, [in the tower.] ROSAURA, CLARIN.

SIGISMUND [within]. Alas! Ah, wretched me! Ah, wretched me!

ROSAURA. Oh what a mournful wail!

Again my pains, again my fears prevail.

CLARIN. Again with fear I die.

ROSAURA. Clarin!

CLARIN. My lady!

ROSAURA. Let us turn and fly

The risks of this enchanted tower.

CLARIN. For one,

I scarce have strength to stand, much less to run.

ROSAURA. Is not that glimmer there afar —

That dying exhalation — that pale star —

A tiny taper, which, with trembling blaze

Flickering ‘twixt struggling flames and dying rays, With ineffectual spark

Makes the dark dwelling place appear more dark?

Yes, for its distant light,

Reflected dimly, brings before my sight

A dungeon’s awful gloom,

Say rather of a living corse, a living tomb; And to increase my terror and surprise,

Drest in the skins of beasts a man there lies: A piteous sight,

Chained, and his sole companion this poor light.

Since then we cannot fly,

Let us attentive to his words draw nigh,

Whatever they may be.

[The doors of the tower open wide, and SIGISMUND is discovered in chains and clad in the skins of beasts. The light in the tower increases.]

SIGISMUND. Alas! Ah, wretched me! Ah, wretched me!

Heaven, here lying all forlorn,

I desire from thee to know,

Since thou thus dost treat me so, Why have I provoked thy scorn

By the crime of being born?—

Though for being born I feel

Heaven with me must harshly deal,

Since man’s greatest crime on earth

Is the fatal fact of birth —

Sin supreme without appeal.

This alone I ponder o’er,

My strange mystery to pierce through;

Leaving wholly out of view

Germs my hapless birthday bore,

How have I offended more,

That the more you punish me?

Must not other creatures be

Born? If born, what privilege

Can they over me allege

Of which I should not be free?

Birds are born, the bird that sings,

Richly robed by Nature’s dower,

Scarcely floats — a feathered flower,

Or a bunch of blooms with wings —

When to heaven’s high halls it springs,

Cuts the blue air fast and free,

And no longer bound will be

By the nest’s secure control:—

And with so much more of soul,

Must I have less liberty?

Beasts are born, the beast whose skin

Dappled o’er with beauteous spots,

As when the great pencil dots

Heaven with stars, doth scarce begin

From its impulses within—

Nature’s stern necessity,

To be schooled in cruelty,—

Monster, waging ruthless war:—

And with instincts better far

Must I have less liberty?

Fish are born, the spawn that breeds

Where the oozy sea-weeds float,

Scarce perceives itself a boat,

Scaled and plated for its needs,

When from wave to wave it speeds,

Measuring all the mighty sea,

Testing its profundity

To its depths so dark and chill:—

And with so much freer will, Must I have less liberty?

Streams are born, a coiled-up snake

When its path the streamlet finds,

Scarce a silver serpent winds

‘Mong the flowers it must forsake,

But a song of praise doth wake,

Mournful though its music be,

To the plain that courteously

Opes a path through which it flies:—

And with life that never dies,

Must I have less liberty?

When I think of this I start,

Aetna-like in wild unrest

I would pluck from out my breast

Bit by bit my burning heart:—

For what law can so depart

From all right, as to deny

One lone man that liberty —

That sweet gift which God bestows

On the crystal stream that flows,

Birds and fish that float or fly?

ROSAURA. Fear and deepest sympathy

Do I feel at every word.

SIGISMUND. Who my sad lament has heard?

What! Clotaldo!

CLARIN [aside to his mistress]. Say ‘tis he.

ROSAURA. No, ‘tis but a wretch (ah, me!)

Who in these dark caves and cold

Hears the tale your lips unfold.

SIGISMUND. Then you’ll die for listening so, That you may not know I know

That you know the tale I told.

[Seizes her.]

Yes, you’ll die for loitering near:

In these strong arms gaunt and grim

I will tear you limb from limb.

CLARIN. I am deaf and couldn’t hear:—

No!

ROSAURA. If human heart you bear,

‘Tis enough that I prostrate me.

At thy feet, to liberate me!

SIGISMUND. Strange thy voice can so unbend me, Strange thy sight can so suspend me,

And respect so penetrate me!

Who art thou? for though I see

Little from this lonely room,

This, my cradle and my tomb.

Being all the world to me,

And if birthday it could be,

Since my birthday I have known

But this desert wild and lone,

Where throughout my life’s sad course

I have lived, a breathing corse,

I have moved, a skeleton;

And though I address or see

Never but one man alone,

Who my sorrows all hath known,

And through whom have come to me

Notions of earth, sky, and sea;

And though harrowing thee again,

Since thou’lt call me in this den,

Monster fit for bestial feasts,

I’m a man among wild beasts,

And a wild beast amongst men.

But though round me has been wrought

All this woe, from beasts I’ve learned

Polity, the same discerned

Heeding what the birds had taught,

And have measured in my thought

The fair orbits of the spheres;

You alone, ‘midst doubts and fears,

Wake my wonder and surprise —

Give amazement to my eyes,

Admiration to my ears.

Every time your face I see

You produce a new amaze:

After the most steadfast gaze,

I again would gazer be.

I believe some hydropsy

Must affect my sight, I think

Death must hover on the brink

Of those wells of light, your eyes,

For I look with fresh surprise,

And though death result, I drink.

Let me see and die: forgive me;

For I do not know, in faith,

If to see you gives me death,

What to see you not would give me; Something worse than death would grieve me, Anger, rage, corroding care,

Death, but double death it were,

Death with tenfold terrors rife,

Since what gives the wretched life,

Gives the happy death, despair!

ROSAURA. Thee to see wakes such dismay,

Thee to hear I so admire,

That I’m powerless to inquire,

That I know not what to say:

Only this, that I to-day,

Guided by a wiser will,

Have here come to cure my ill,

Here consoled my grief to see,

If a wretch consoled can be

Seeing one more wretched still.

Of a sage, who roamed dejected,

Poor, and wretched, it is said,

That one day, his wants being fed

By the herbs which he collected,

“Is there one” (he thus reflected)

“Poorer than I am to-day?”

Turning round him to survey,

He his answer got, detecting

A still poorer sage collecting

Even the leaves he threw away.

Thus complaining to excess,

Mourning fate, my life I led,

And when thoughtlessly I said

To myself, “Does earth possess

One more steeped in wretchedness?”

I in thee the answer find.

Since revolving in my mind,

I perceive that all my pains

To become thy joyful gains

Thou hast gathered and entwined.

And if haply some slight solace

By these pains may be imparted,*

Hear attentively the story

Of my life’s supreme disasters.

I am ….

[footnote] *The metre changes here to the vocal “asonante” in “a—e”, and continues to the end of the Fourth Scene.

* * * * *

SCENE III.

CLOTALDO, Soldiers, SIGISMUND, ROSAURA, CLARIN.

CLOTALDO [within]. Warders of this tower,

Who, or sleeping or faint-hearted,

Give an entrance to two persons

Who herein have burst a passage … .

ROSAURA. New confusion now I suffer.

SIGISMUND. ‘Tis Clotaldo, who here guards me; Are not yet my miseries ended?

CLOTALDO [within]. Hasten hither, quick! be active!

And before they can defend them,

Kill them on the spot, or capture!

[Voices within.] Treason!

CLARIN. Watchguards of this tower,

Who politely let us pass here,

Since you have the choice of killing

Or of capturing, choose the latter.

[Enter CLOTALDO and Soldiers; he with a pistol, and all with their faces covered.]

CLOTALDO [aside to the Soldiers]. Keep your faces all well covered, For it is a vital matter

That we should be known by no one,

While I question these two stragglers.

CLARIN. Are there masqueraders here?

CLOTALDO. Ye who in your ignorant rashness Have passed through the bounds and limits

Of this interdicted valley,

‘Gainst the edict of the King,

Who has publicly commanded

None should dare descry the wonder

That among these rocks is guarded,

Yield at once your arms and lives,

Or this pistol, this cold aspic

Formed of steel, the penetrating

Poison of two balls will scatter,

The report and fire of which

Will the air astound and startle.

SIGISMUND. Ere you wound them, ere you hurt them, Will my life, O tyrant master,

Be the miserable victim

Of these wretched chains that clasp me;

Since in them, I vow to God, I will tear myself to fragments

With my hands, and with my teeth,

In these rocks here, in these caverns,

Ere I yield to their misfortunes,

Or lament their sad disaster.

CLOTALDO. If you know that your misfortunes, Sigismund, are unexampled,

Since before being born you died

By Heaven’s mystical enactment;

If you know these fetters are

Of your furies oft so rampant

But the bridle that detains them,

But the circle that contracts them.

Why these idle boasts? The door

[To the Soldiers.]

Of this narrow prison fasten;

Leave him there secured.

SIGISMUND. Ah, heavens,

It is wise of you to snatch me

Thus from freedom! since my rage

‘Gainst you had become Titanic,

Since to break the glass and crystal

Gold-gates of the sun, my anger

On the firm-fixed rocks’ foundations

Would have mountains piled of marble.

CLOTALDO. ‘Tis that you should not so pile them That perhaps these ills have happened,

[Some of the SOLDIERS lead SIGISMUND into his prison, the doors of which are closed upon him.]

* * * * *

SCENE IV.

ROSAURA, CLOTALDO, CLARIN, Soldiers.

ROSAURA. Since I now have seen how pride

Can offend thee, I were hardened

Sure in folly not here humbly

At thy feet for life to ask thee;

Then to me extend thy pity,

Since it were a special harshness

If humility and pride,

Both alike were disregarded.

CLARIN. If Humility and Pride Those two figures who have acted

Many and many a thousand times

In the “autos sacramentales”,

Do not move you, I, who am neither

Proud nor humble, but a sandwich

Partly mixed of both, entreat you

To extend to us your pardon.

CLOTALDO. Ho!

SOLDIERS. My lord?

CLOTALDO. Disarm the two,

And their eyes securely bandage,

So that they may not be able

To see whither they are carried.

ROSAURA. This is, sir, my sword; to thee

Only would I wish to hand it,

Since in fine of all the others

Thou art chief, and I could hardly

Yield it unto one less noble.

CLARIN. Mine I’ll give the greatest rascal Of your troop: [To a Soldier.] so take it, you.

ROSAURA. And if I must die, to thank thee

For thy pity, I would leave thee

This as pledge, which has its value

From the owner who once wore it;

That thou guard it well, I charge thee,

For although I do not know

What strange secret it may carry,

This I know, that some great mystery

Lies within this golden scabbard,

Since relying but on it

I to Poland here have travelled

To revenge a wrong.

CLOTALDO [aside.] Just heavens!

What is this? Still graver, darker,

Grow my doubts and my confusion,

My anxieties and my anguish.—

Speak, who gave you this?

ROSAURA. A woman.

CLOTALDO. And her name?

ROSAURA. To that my answer

Must be silence.

CLOTALDO. But from what

Do you now infer, or fancy,

That this sword involves a secret?

ROSAURA. She who gave it said: “Depart hence Into Poland, and by study,

Stratagem, and skill so manage

That this sword may be inspected

By the nobles and the magnates

Of that land, for you, I know,

Will by one of them be guarded,”—

But his name, lest he was dead,

Was not then to me imparted.

CLOTALDO [aside]. Bless me, Heaven! what’s this I hear?

For so strangely has this happened,

That I cannot yet determine

If ‘tis real or imagined.

This is the same sword that I

Left with beauteous Violante,

As a pledge unto its wearer,

Who might seek me out thereafter,

As a son that I would love him,

And protect him as a father.

What is to be done (ah, me!)

In confusion so entangled,

If he who for safety bore it

Bears it now but to dispatch him,

Since condemned to death he cometh

To my feet? How strange a marvel!

What a lamentable fortune!

How unstable! how unhappy!

This must be my son — the tokens

All declare it, superadded

To the flutter of the heart,

That to see him loudly rappeth

At the breast, and not being able

With its throbs to burst its chamber,

Does as one in prison, who,

Hearing tumult in the alley,

Strives to look from out the window;

Thus, not knowing what here passes

Save the noise, the heart uprusheth

To the eyes the cause to examine —

They the windows of the heart,

Out through which in tears it glances.

What is to be done? (O Heavens!)

What is to be done? To drag him Now before the King were death;

But to hide him from my master,

That I cannot do, according

To my duty as a vassal.

Thus my loyalty and self-love

Upon either side attack me;

Each would win. But wherefore doubt?

Is not loyalty a grander,

Nobler thing than life, than honour?

Then let loyalty live, no matter

That he die; besides, he told me,

If I well recall his language,

That he came to revenge a wrong,

But a wronged man is a lazar,—

No, he cannot be my son,

Not the son of noble fathers.

But if some great chance, which no one

Can be free from, should have happened,

Since the delicate sense of honour

Is a thing so fine, so fragile,

That the slightest touch may break it,

Or the faintest breath may tarnish,

What could he do more, do more,

He whose cheek the blue blood mantles,

But at many risks to have come here

It again to re-establish?

Yes, he is my son, my blood,

Since he shows himself so manly.

And thus then betwixt two doubts

A mid course alone is granted:

‘Tis to seek the King, and tell him

Who he is, let what will happen.

A desire to save my honour

May appease my royal master;

Should he spare his life, I then

Will assist him in demanding

His revenge; but if the King

Should, persisting in his anger,

Give him death, then he will die

Without knowing I’m his father.—

[To ROSAURA and CLARIN.]

Come, then, come then with me, strangers.

Do not fear in your disasters

That you will not have companions

In misfortune; for so balanced

Are the gains of life or death, That I know not which are larger.

[Exeunt.]

* * * * *

SCENE V.

A HALL IN THE ROYAL PALACE.

[Enter at one side ASTOLFO and Soldiers, and at the other the INFANTA ESTRELLA and her Ladies. Military music and salutes within.]

ASTOLFO. Struck at once with admiration

At thy starry eyes outshining,

Mingle many a salutation,

Drums and trumpet-notes combining,

Founts and birds in alternation;

Wondering here to see thee pass,

Music in grand chorus gathers

All her notes from grove and grass:

Here are trumpets formed of feathers,

There are birds that breathe in brass.

All salute thee, fair Senora,

Ordnance as their Queen proclaim thee,

Beauteous birds as their Aurora,

As their Pallas trumpets name thee,

And the sweet flowers as their Flora;

For Aurora sure thou art,

Bright as day that conquers night —

Thine is Flora’s peaceful part,

Thou art Pallas in thy might,

And as Queen thou rul’st my heart.

ESTRELLA. If the human voice obeying

Should with human action pair,

Then you have said ill in saying

All these flattering words and fair,

Since in truth they are gainsaying

This parade of victory,

‘Gainst which I my standard rear,

Since they say, it seems to me,

Not the flatteries that I hear,

But the rigours that I see.

Think, too, what a base invention

From a wild beast’s treachery sprung,—

Fraudful mother of dissension —

Is to flatter with the tongue, And to kill with the intention.

ASTOLFO. Ill informed you must have been,

Fair Estrella, thus to throw

Doubt on my respectful mien:

Let your ear attentive lean

While the cause I strive show.

King Eustorgius the Fair,

Third so called, died leaving two

Daughters, and Basilius heir;

Of his sisters I and you

Are the children — I forbear

To recall a single scene

Save what’s needful. Clorilene,

Your good mother and my aunt,

Who is now a habitant

Of a sphere of sunnier sheen,

Was the elder, of whom you

Are the daughter; Recisunda,

Whom God guard a thousand years,

Her fair sister (Rosamunda

Were she called if names were true)

Wed in Muscovy, of whom

I was born. ‘Tis needful now

The commencement to resume.

King Basilius, who doth bow

‘Neath the weight of years, the doom

Age imposes, more inclined

To the studies of the mind

Than to women, wifeless, lone,

Without sons, to fill his throne

I and you our way would find.

You, the elder’s child, averred,

That the crown you stood more nigh:

I, maintaining that you erred,

Held, though born of the younger, I,

Being a man, should be preferred.

Thus our mutual pretension

To our uncle we related,

Who replied that he would mention

Here, and on this day he stated,

What might settle the dissension.

With this end, from Muscovy

I set out, and with that view,

I to-day fair Poland see,

And not making war on you,

Wait till war you make on me.

Would to love — that God so wise —

That the crowd may be a sure

Astrologue to read the skies,

And this festive truce secure

Both to you and me the prize,

Making you a Queen, but Queen

By my will, our uncle leaving

You the throne we’ll share between —

And my love a realm receiving

Dearer than a King’s demesne.

ESTRELLA. Well, I must be generous too,

For a gallantry so fine;

This imperial realm you view,

If I wish it to be mine

‘Tis to give it unto you.

Though if I the truth confessed,

I must fear your love may fail —

Flattering words are words at best,

For perhaps a truer tale

Tells that portrait on your breast.

ASTOLFO. On that point complete content

Will I give your mind, not here,

For each sounding instrument

[Drums are heard.]

Tells us that the King is near,

With his Court and Parliament.

* * * * *

SCENE VI.

The KING BASILIUS, with his retinue. —

ASTOLFO, ESTRELLA, Ladies, Soldiers.

ESTRELLA. Learned Euclid …

ASTOLFO. Thales wise . .

ESTRELLA. The vast Zodiac …

ASTOLFO. The star spaces …

ESTRELLA. Who dost soar to …

ASTOLFO. Who dost rise…

ESTRELLA. The sun’s orbit …

ASTOLFO. The stars’ places …

ESTRELLA. To describe …

ASTOLFO. To map the skies …

ESTRELLA. Let me humbly interlacing …

ASTOLFO. Let me lovingly embracing …

ESTRELLA. Be the tendril of thy tree.

ASTOLFO. Bend respectfully my knee.

BASILIUS. Children, that dear word displacing Colder names, my arms here bless;

And be sure, since you assented

To my plan, my love’s excess

Will leave neither discontented,

Or give either more or less.

And though I from being old

Slowly may the facts unfold,

Hear in silence my narration,

Keep reserved your admiration,

Till the wondrous tale is told.

You already know — I pray you

Be attentive, dearest children,*

Great, illustrious Court of Poland,

Faithful vassals, friends and kinsmen,

You already know — my studies

Have throughout the whole world given me

The high title of “the learned,”

Since ‘gainst time and time’s oblivion

The rich pencils of Timanthes,

The bright marbles of Lysippus,

Universally proclaim me

Through earth’s bounds the great Basilius.

You already know the sciences

That I feel my mind most given to

Are the subtle mathematics,

By whose means my clear prevision

Takes from rumour its slow office,

Takes from time its jurisdiction

Of, each day, new facts disclosing;

Since in algebraic symbols

When the fate of future ages

On my tablets I see written,

I anticipate time in telling

What my science hath predicted.

All those circles of pure snow,

All those canopies of crystal, Which the sun with rays illumines,

Which the moon cuts in its circles,

All those orbs of twinkling diamond,

All those crystal globes that glisten,

All that azure field of stars

Where the zodiac signs are pictured,

Are the study of my life,

Are the books where heaven has written

Upon diamond-dotted paper,

Upon leaves by sapphires tinted,

With light luminous lines of gold,

In clear characters distinctly

All the events of human life,

Whether adverse or benignant.

These so rapidly I read

That I follow with the quickness

Of my thoughts the swiftest movements

Of their orbits and their circles.

Would to heaven, that ere my mind

To those mystic books addicted

Was the comment of their margins

And of all their leaves the index,

Would to heaven, I say, my life

Had been offered the first victim

Of its anger, that my death-stroke

Had in this way have been given me,

Since the unhappy find even merit

Is the fatal knife that kills them,

And his own self-murderer

Is the man whom knowledge injures!—

I may say so, but my story

So will say with more distinctness,

And to win your admiration

Once again I pray you listen.—

Clorilene, my wife, a son

Bore me, so by fate afflicted

That on his unhappy birthday

All Heaven’s prodigies assisted.

Nay, ere yet to life’s sweet life

Gave him forth her womb, that living

Sepulchre (for death and life

Have like ending and beginning),

Many a time his mother saw

In her dreams’ delirious dimness

From her side a monster break,

Fashioned like a man, but sprinkled With her blood, who gave her death,

By that human viper bitten.

Round his birthday came at last,

All its auguries fulfilling

(For the presages of evil

Seldom fail or even linger):

Came with such a horoscope,

That the sun rushed blood-red tinted

Into a terrific combat

With the dark moon that resisted;

Earth its mighty lists outspread

As with lessening lights diminished

Strove the twin-lamps of the sky.

‘Twas of all the sun’s eclipses

The most dreadful that it suffered

Since the hour its bloody visage

Wept the awful death of Christ.

For o’erwhelmed in glowing cinders

The great orb appeared to suffer

Nature’s final paroxysm.

Gloom the glowing noontide darkened,

Earthquake shook the mightiest buildings,

Stones the angry clouds rained down,

And with blood ran red the rivers.

In this frenzy of the sun,

In its madness and delirium,

Sigismund was born, thus early

Giving proofs of his condition,

Since his birth his mother slew,

Just as if these words had killed her,

“I am a man, since good with evil

I repay here from the beginning,”—

I, applying to my studies,

Saw in them as ‘twere forewritten

This, that Sigismund would be

The most cruel of all princes,

Of all men the most audacious,

Of all monarchs the most wicked;

That his kingdom through his means

Would be broken and partitioned,

The academy of the vices,

And the high school of sedition;

And that he himself, borne onward

By his crimes’ wild course resistless,

Would even place his feet on me;

For I saw myself down-stricken, Lying on the ground before him

(To say this what shame it gives me!)

While his feet on my white hairs

As a carpet were imprinted.

Who discredits threatened ill,

Specially an ill previsioned

By one’s study, when self-love

Makes it his peculiar business?—

Thus then crediting the fates

Which far off my science witnessed,

All these fatal auguries

Seen though dimly in the distance,

I resolved to chain the monster

That unhappily life was given to,

To find out if yet the stars

Owned the wise man’s weird dominion.

It was publicly proclaimed

That the sad ill-omened infant

Was stillborn. I then a tower

Caused by forethought to be builded

‘Mid the rocks of these wild mountains

Where the sunlight scarce can gild it,

Its glad entrance being barred

By these rude shafts obeliscal.

All the laws of which you know,

All the edicts that prohibit

Anyone on pain of death

That secluded part to visit

Of the mountain, were occasioned

By this cause, so long well hidden.

There still lives Prince Sigismund,

Miserable, poor, in prison.

Him alone Clotaldo sees,

Only tends to and speaks with him;

He the sciences has taught him,

He the Catholic religion

Has imparted to him, being

Of his miseries the sole witness.

Here there are three things: the first

I rate highest, since my wishes

Are, O Poland, thee to save

From the oppression, the affliction

Of a tyrant King, because

Of his country and his kingdom

He were no benignant father

Who to such a risk could give it.

Secondly, the thought occurs

That to take from mine own issue

The plain right that every law

Human and divine hath given him

Is not Christian charity;

For by no law am I bidden

To prevent another proving,

Say, a tyrant, or a villain,

To be one myself: supposing

Even my son should be so guilty,

That he should not crimes commit

I myself should first commit them.

Then the third and last point is,

That perhaps I erred in giving

Too implicit a belief

To the facts foreseen so dimly;

For although his inclination

Well might find its precipices,

He might possibly escape them:

For the fate the most fastidious,

For the impulse the most powerful.

Even the planets most malicious

Only make free will incline,

But can force not human wishes.

And thus ‘twist these different causes

Vacillating and unfixed,

I a remedy have thought of

Which will with new wonder fill you.

I to-morrow morning purpose,

Without letting it be hinted

That he is my son, and therefore

Your true King, at once to fix him

As King Sigismund (for the name

Still he bears that first was given him)

‘Neath my canopy, on my throne,

And in fine in my position,

There to govern and command you,

Where in dutiful submission

You will swear to him allegiance.

My resources thus are triple,

As the causes of disquiet

Were which I revealed this instant.

The first is; that he being prudent,

Careful, cautious and benignant,

Falsifying the wild actions

That of him had been predicted, You’ll enjoy your natural prince,

He who has so long been living

Holding court amid these mountains,

With the wild beasts for his circle.

Then my next resource is this:

If he, daring, wild, and wicked,

Proudly runs with loosened rein

O’er the broad plain of the vicious,

I will have fulfilled the duty

Of my natural love and pity;

Then his righteous deposition

Will but prove my royal firmness,

Chastisement and not revenge

Leading him once more to the prison.

My third course is this: the Prince

Being what my words have pictured,

From the love I owe you, vassals,

I will give you other princes

Worthier of the crown and sceptre;

Namely, my two sisters’ children,

Who their separate pretensions

Having happily commingled

By the holy bonds of marriage,

Will then fill their fit position.

This is what a king commands you,

This is what a father bids you,

This is what a sage entreats you,

This is what an old man wishes;

And as Seneca, the Spaniard,

Says, a king for all his riches

Is but slave of his Republic,

This is what a slave petitions.

[footnote] *The metre changes here to the “asonante” in “i—e”, or their vocal equivalents, and is kept up for the remainder of the Act.

ASTOLFO. If on me devolves the answer,

As being in this weighty business

The most interested party,

I, of all, express the opinion:—

Let Prince Sigismund appear;

He’s thy son, that’s all-sufficient.

ALL. Give to us our natural prince,

We proclaim him king this instant!

BASILIUS. Vassals, from my heart I thank you

For this deference to my wishes:—

Go, conduct to their apartments

These two columns of my kingdom,

On to-morrow you shall see him.

ALL. Live, long live great King Basilius!

[Exeunt all, accompanying ESTRELLA and ASTOLFO; The King remains.]

* * * * *

SCENE VII.

CLOTALDO, ROSAURA, CLARIN, and BASILIUS.

CLOTALDO. May I speak to you, sire?

BASILIUS. Clotaldo,

You are always welcome with me.

CLOTALDO. Although coming to your feet

Shows how freely I’m admitted,

Still, your majesty, this once,

Fate as mournful as malicious

Takes from privilege its due right,

And from custom its permission.

BASILIUS. What has happened?

CLOTALDO. A misfortune,

Sire, which has my heart afflicted

At the moment when all joy

Should have overflown and filled it.

BASILIUS. Pray proceed.

CLOTALDO. This handsome youth here,

Inadvertently, or driven

By his daring, pierced the tower,

And the Prince discovered in it.

Nay … .

BASILIUS. Clotaldo, be not troubled

At this act, which if committed

At another time had grieved me,

But the secret so long hidden

Having myself told, his knowledge

Of the fact but matters little.

See me presently, for I

Much must speak upon this business,

And for me you much must do For a part will be committed

To you in the strangest drama

That perhaps the world e’er witnessed.

As for these, that you may know

That I mean not your remissness

To chastise, I grant their pardon.

[Exit.]

CLOTALDO. Myriad years to my lord be given!

* * * * *

SCENE VIII.

CLOTALDO, ROSAURA, and CLARIN.

CLOTALDO [aside]. Heaven has sent a happier fate; Since I need not now admit it,

I’ll not say he is my son.—

Strangers who have wandered hither,

You are free.

ROSAURA. I give your feet

A thousand kisses.

CLARIN. I say misses,

For a letter more or less

‘Twixt two friends is not considered.

ROSAURA. You have given me life, my lord,

And since by your act I’m living,

I eternally will own me

As your slave.

CLOTALDO. The life I’ve given

Is not really your true life,

For a man by birth uplifted

If he suffers an affront

Actually no longer liveth;

And supposing you have come here

For revenge as you have hinted,

I have not then given you life,

Since you have not brought it with you,

For no life disgraced is life.—

[Aside.] (This I say to arouse his spirit.) ROSAURA. I confess I have it not,

Though by you it has been given me;

But revenge being wreaked, my honour

I will leave so pure and limpid, All its perils overcome,

That my life may then with fitness

Seem to be a gift of yours.

CLOTALDO. Take this burnished sword which hither You brought with you; for I know,

To revenge you, ‘tis sufficient,

In your enemy’s blood bathed red;

For a sword that once was girded

Round me (I say this the while

That to me it was committed),

Will know how to right you.

ROSAURA. Thus

In your name once more I gird it,

And on it my vengeance swear,

Though the enemy who afflicts me

Were more powerful.

CLOTALDO. Is he so?

ROSAURA. Yes; so powerful, I am hindered

Saying who he is, not doubting

Even for greater things your wisdom

And calm prudence, but through fear

Lest against me your prized pity

Might be turned.

CLOTALDO. ‘Twill rather be,

By declaring it, more kindled;

Otherwise you bar the passage

‘Gainst your foe of my assistance.—

[Aside.] (Would that I but knew his name!) ROSAURA. Not to think I set so little

Value on such confidence,

Know my enemy and my victim

Is no less than Prince Astolfo,

Duke of Muscovy.

CLOTALDO [aside]. Resistance

Badly can my grief supply

Since ‘tis heavier than I figured.

Let us sift the matter deeper.—

If a Muscovite by birth, then

He who is your natural lord

Could not ‘gainst you have committed

Any wrong; reseek your country,

And abandon the wild impulse

That has driven you here.

ROSAURA. I know,

Though a prince, he has committed

‘Gainst me a great wrong.

CLOTALDO. He could not,

Even although your face was stricken

By his angry hand. [Aside.] (Oh, heavens!) ROSAURA. Mine’s a wrong more deep and bitter.

CLOTALDO. Tell it, then; it cannot be

Worse than what my fancy pictures.

ROSAURA. I will tell it; though I know not, With the respect your presence gives me,

With the affection you awaken,

With the esteem your worth elicits,

How with bold face here to tell you

That this outer dress is simply

An enigma, since it is not

What it seems. And from this hint, then,

If I’m not what I appear,

And Astolfo with this princess

Comes to wed, judge how by him

I was wronged: I’ve said sufficient.

[Exeunt ROSAURA and CLARIN.]

CLOTALDO. Listen! hear me! wait! oh, stay!

What a labyrinthine thicket

Is all this, where reason gives

Not a thread whereby to issue?

My own honour here is wronged,

Powerful is my foe’s position,

I a vassal, she a woman;

Heaven reveal some way in pity,

Though I doubt it has the power;

When in such confused abysses,

Heaven is all one fearful presage,

And the world itself a riddle.

* * * * *

ACT THE SECOND.

A HALL IN THE ROYAL PALACE.

* * * * *

SCENE I.

BASILIUS and CLOTALDO.

CLOTALDO. Everything has been effected

As you ordered.

BASILIUS. How all happened*

Let me know, my good Clotaldo.

[footnote] *The metre of this and the following scene is the asonante in a—e.

CLOTALDO. It was done, sire, in this manner.

With the tranquillising draught,

Which was made, as you commanded,

Of confections duly mixed

With some herbs, whose juice extracted

Has a strange tyrannic power,

Has some secret force imparted,

Which all human sense and speech

Robs, deprives, and counteracteth,

And as ‘twere a living corpse

leaves the man whose lips have quaffed it

So asleep that all his senses,

All his powers are overmastered … .

— No need have we to discuss

That this fact can really happen,

Since, my lord, experience gives us

Many a clear and proved example;

Certain ‘tis that Nature’s secrets

May by medicine be extracted,

And that not an animal,

Not a stone, or herb that’s planted,

But some special quality

Doth possess: for if the malice

Of man’s heart, a thousand poisons

That give death, hath power to examine,

Is it then so great a wonder

That, their venom being abstracted,

If, as death by some is given,

Sleep by others is imparted?

Putting, then, aside the doubt

That ‘tis possible this should happen,

A thing proved beyond all question

Both by reason and example … .

— With the sleeping draught, in fine,

Made of opium superadded

To the poppy and the henbane,

I to Sigismund’s apartment —

Cell, in fact — went down, and with him

Spoke awhile upon the grammar

Of the sciences, those first studies

Which mute Nature’s gentle masters,

Silent skies and hills, had taught him;

In which school divine and ample,

The bird’s song, the wild beast’s roar,

Were a lesson and a language.

Then to raise his spirit more

To the high design you planned here,

I discoursed on, as my theme,

The swift flight, the stare undazzled

Of a pride-plumed eagle bold,

Which with back-averted talons,

Scorning the tame fields of air,

Seeks the sphere of fire, and passes

Through its flame a flash of feathers,

Or a comet’s hair untangled.

I extolled its soaring flight,

Saying, “Thou at last art master

Of thy house, thou’rt king of birds,

It is right thou should’st surpass them.”

He who needed nothing more

Than to touch upon the matter

Of high royalty, with a bearing

As became him, boldly answered;

For in truth his princely blood

Moves, excites, inflames his ardour

To attempt great things: he said,

“In the restless realm of atoms

Given to birds, that even one

Should swear fealty as a vassal!

I, reflecting upon this,

Am consoled by my disasters,

For, at least, if I obey,

I obey through force: untrammelled,

Free to act, I ne’er will own

Any man on earth my master.”—

This, his usual theme of grief,

Having roused him nigh to madness,

I occasion took to proffer

The drugged draught: he drank, but hardly

Had the liquor from the vessel

Passed into his breast, when fastest

Sleep his senses seized, a sweat,

Cold as ice, the life-blood hardened In his veins, his limbs grew stiff,

So that, knew I not ‘twas acted,

Death was there, feigned death, his life

I could doubt not had departed.

Then those, to whose care you trust

This experiment, in a carriage

Brought him here, where all things fitting The high majesty and the grandeur

Of his person are provided.

In the bed of your state chamber

They have placed him, where the stupor

Having spent its force and vanished,

They, as ‘twere yourself, my lord,

Him will serve as you commanded:

And if my obedient service

Seems to merit some slight largess,

I would ask but this alone

(My presumption you will pardon),

That you tell me, with what object

Have you, in this secret manner,

To your palace brought him here?

BASILIUS. Good Clotaldo, what you ask me

Is so just, to you alone

I would give full satisfaction.

Sigismund, my son, the hard

Influence of his hostile planet

(As you know) doth threat a thousand

Dreadful tragedies and disasters;

I desire to test if Heaven

(An impossible thing to happen)

Could have lied — if having given us

Proofs unnumbered, countless samples

Of his evil disposition,

He might prove more mild, more guarded

At the lest, and self-subdued

By his prudence and true valour

Change his character; for ‘tis man

That alone controls the planets.

This it is I wish to test,

Having brought him to this palace,

Where he’ll learn he is my son,

And display his natural talents.

If he nobly hath subdued him,

He will reign; but if his manners

Show him tyrannous and cruel,

Then his chains once more shall clasp him.

But for this experiment,

Now you probably will ask me

Of what moment was’t to bring him

Thus asleep and in this manner?

And I wish to satisfy you,

Giving all your doubts an answer.

If to-day he learns that he

Is my son, and some hours after

Finds himself once more restored

To his misery and his shackles,

Certain ‘tis that from his temper

Blank despair may end in madness —

But once knowing who he is,

Can he be consoled thereafter?

Yes, and thus I wish to leave

One door open, one free passage,

By declaring all he saw

Was a dream. With this advantage

We attain two ends. The first

Is to put beyond all cavil

His condition, for on waking

He will show his thoughts, his fancies:

To console him is the second;

Since, although obeyed and flattered,

He beholds himself awhile,

And then back in prison shackled

Finds him, he will think he dreamed.

And he rightly so may fancy,

For, Clotaldo, in this world

All who live but dream they act here.

CLOTALDO. Reasons fail me not to show

That the experiment may not answer;

But there is no remedy now,

For a sign from the apartment

Tells me that he hath awoken

And even hitherward advances.

BASILIUS. It is best that I retire;

But do you, so long his master,

Near him stand; the wild confusion

That his waking sense may darken

Dissipate by simple truth.

CLOTALDO. Then your licence you have granted That I may declare it?

BASILIUS. Yes;

For it possibly may happen

That admonished of his danger

He may conquer his worst passions.

[Exit]

* * * * *

SCENE II.

CLARIN and CLOTALDO.

CLARIN [aside]. Four good blows are all it cost me To come here, inflicted smartly

By a red-robed halberdier,

With a beard to match his jacket,

At that price I see the show,

For no window’s half so handy

As that which, without entreating

Tickets of the ticket-master,

A man carried with himself;

Since for all the feasts and galas

Cool effrontery is the window

Whence at ease he gazes at them.

CLOTALDO [aside]. This is Clarin, heavens! of her, Yes, I say, of her the valet,

She, who dealing in misfortunes,

Has my pain to Poland carried:—

Any news, friend Clarin?

CLARIN. News?

Yes, sir, since your great compassion

Is disposed Rosaura’s outrage

To revenge, she has changed her habit,

And resumed her proper dress.

CLOTALDO. ‘Tis quite right, lest possible scandal Might arise.

CLARIN. More news: her name

Having changed and wisely bartered

For your niece’s name, she now

So in honour has advanced her,

That among Estrella’s ladies

She here with her in the palace

Lives.

CLOTALDO. ‘Tis right that I once more

Should her honour re-establish.

CLARIN. News; that anxiously she waiteth

For that very thing to happen,

When you may have time to try it.

CLOTALDO. Most discreetly has she acted; Soon the time will come, believe me,

Happily to end this matter.

CLARIN. News, too; that she’s well regaled, Feasted like a queen, and flattered

On the strength of being your niece.

And the last news, and the saddest,

Is that I who here came with her

Am with hunger almost famished.

None remember me, or think

I am Clarin, clarion rather,

And that if that clarion sounded,

All the Court would know what passes.

For there are two things, to wit,

A brass clarion and a lackey,

That are bad at keeping secrets;

And it so may chance, if haply

I am forced to break my silence,

They of me may sing this passage:

“Never, when the day is near,

Does clarion sound more clear.”*

*[footnote] *“Clarin, que rompe el albor, No suena mejor.”— This is a quotation by Calderon from his own drama, “En esta vida todo es verdad y todo mentira.” — Act 2, sc.

x.

CLOTALDO. Your complaint is too well-founded; I will get you satisfaction,

Meanwhile you may wait on me.

CLARIN. See, sir, Sigismund advances.

* * * * *

SCENE III.

[Music and song.] SIGISMUND enters, lost in amazement. Servants minister to him, presenting costly robes. —CLOTALDO, and CLARIN.

SIGISMUND. Help me, Heaven, what’s this I see!

Help me, Heaven, what’s this I view!

Things I scarce believe are true,

But, if true, which fright not me.

I in palaces of state?

I ‘neath silks and cloth of gold?

I, around me, to behold

Rich-robed servants watch and wait?

I so soft a bed to press

While sweet sleep my senses bowed?

I to wake in such a crowd,

Who assist me even to dress?

‘Twere deceit to say I dream,

Waking I recall my lot,

I am Sigismund, am I not?

Heaven make plain what dark doth seem!

Tell me, what has phantasy —

Wild, misleading, dream-adept —

So effected while I slept,

That I still the phantoms see?

But let that be as it may,

Why perplex myself and brood?

Better taste the present good,

Come what will some other day.

FIRST SERVANT [aside to the’ Second Servant, and to CLARIN]. What a sadness doth oppress him!

SECOND SERVANT. Who in such-like case would be Less surprised and sad than he?

CLARIN. I for one.

SECOND SERVANT [to the First]. You had best address him.

FIRST SERVANT [to SIGISMUND]. May they sing again?

SIGISMUND. No, no;

I don’t care to hear them sing.

SECOND SERVANT. I conceived the song might bring To your thought some ease.

SIGISMUND. Not so;

Voiced that but charm the ear

Cannot soothe my sorrow’s pain;

‘Tis the soldier’s martial strain

That alone I love to hear.

CLOTALDO. May your Highness, mighty Prince, Deign to let me kiss your hand,

I would first of all this land

My profound respect evince.

SIGISMUND [aside]. ‘Tis my gaoler! how can he Change his harshness and neglect

To this language of respect?

What can have occurred to me?

CLOTALDO. The new state in which I find you Must create a vague surprise,

Doubts unnumbered must arise To bewilder and to blind you;

I would make your prospect fair,

Through the maze a path would show,

Thus, my lord, ‘tis right you know

That you are the prince and heir

Of this Polish realm: if late

You lay hidden and concealed

‘Twas that we were forced to yield

To the stern decrees of fate,

Which strange ills, I know not how,

Threatened on this land to bring

Should the laurel of a king

Ever crown thy princely brow.

Still relying on the power

Of your will the stars to bind,

For a man of resolute mind

Can them bind how dark they lower;

To this palace from your cell

In your life-long turret keep

They have borne you while dull sleep

Held your spirit in its spell.

Soon to see you and embrace

Comes the King, your father, here —

He will make the rest all clear.

SIGISMUND. Why, thou traitor vile and base, What need I to know the rest,

Since it is enough to know

Who I am my power to show,

And the pride that fills my breast?

Why this treason brought to light

Has thou to thy country done,

As to hide from the King’s son,

‘Gainst all reason and all right,

This his rank?

CLOTALDO. Oh, destiny!

SIGISMUND. Thou the traitor’s part has played

‘Gainst the law; the King betrayed,

And done cruel wrong to me;

Thus for each distinct offence

Have the law, the King, and I

Thee condemned this day to die

By my hands.

SECOND SERVANT. Prince … .

SIGISMUND No pretence

Shall undo the debt I owe you.

Catiff, hence! By Heaven! I say,

If you dare to stop my way

From the window I will throw you.

SECOND SERVANT. Fly, Clotaldo!

CLOTALDO. Woe to thee,

In thy pride so powerful seeming,

Without knowing thou art dreaming!

[Exit.

SECOND SERVANT. Think … .

SIGISMUND. Away! don’t trouble me.

SECOND SERVANT. He could not the King deny.

SIGISMUND. Bade to do a wrongful thing

He should have refused the King;

And, besides, his prince was I.

SECOND SERVANT. ‘Twas not his affair to try If the act was wrong or right.

SIGISMUND. You’re indifferent, black or white, Since so pertly you reply.

CLARIN. What the Prince says is quite true, What you do is wrong, I say.

SECOND SERVANT. Who gave you this licence, pray?

CLARIN. No one gave; I took it.

SIGISMUND. Who

Art thou, speak?

CLARIN. A meddling fellow,

Prating, prying, fond of scrapes,

General of all jackanapes,

And most merry when most mellow.

SIGISMUND. You alone in this new sphere

Have amused me.

CLARIN. That’s quite true, sir,

For I am the great amuser

Of all Sigismunds who are here.

* * * * *

SCENE IV.

ASTOLFO, SIGISMUND, CLARIN, Servants, and Musicians.

ASTOLFO. Thousand tunes be blest the day,

Prince, that gives thee to our sight,

Sun of Poland, whose glad light

Makes this whole horizon gay,

As when from the rosy fountains

Of the dawn the stream-rays run,

Since thou issuest like the sun

From the bosom of the mountains!

And though late do not defer

With thy sovran light to shine;

Round thy brow the laurel twine —

Deathless crown.

SIGISMUND. God guard thee, sir.

ASTOLFO. In not knowing me I o’erlook,

But alone for this defect,

This response that lacks respect,

And due honour. Muscovy’s Duke

Am I, and your cousin born,

Thus my equal I regard thee.

SIGISMUND. Did there, when I said “God guard thee,”

Lie concealed some latent scorn? —

Then if so, now having got

Thy big name, and seeing thee vexed,

When thou com’st to see me next

I will say God guard thee not.

SECOND SERVANT [to ASTOLFO]. Think, your Highness, if he errs Thus, his mountain birth’s at fault,

Every word is an assault.

[To SIGISMUND.]

Duke Astolfo, sir, prefers … .

SIGISMUND. Tut! his talk became a bore,

Nay his act was worse than that,

He presumed to wear his hat.

SECOND SERVANT. As grandee.

SIGISMUND. But I am more.

SECOND SERVANT. Nevertheless respect should be Much more marked betwixt ye two

Than ‘twixt others.

SIGISMUND. And pray who

Asked your meddling thus with me?

* * * * *

SCENE V.

ESTRELLA. — THE SAME.

ESTRELLA. Welcome may your Highness be,

Welcomed oft to this thy throne,

Which long longing for its own

Finds at length its joy in thee;

Where, in spite of bygone fears,

May your reign be great and bright,

And your life in its long flight

Count by ages, not by years.

SIGISMUND (to CLARIN). Tell me, thou, say, who can be This supreme of loveliness —

Goddess in a woman’s dress —

At whose feet divine we see

Heaven its choicest gifts doth lay?—

This sweet maid? Her name declare.

CLARIN. ‘Tis your star-named* cousin fair.

[footnote] *‘Estrella’, which means star in Spanish.

SIGISMUND. Nay, the sun, ‘twere best to say.—

[To ESTRELLA.]

Though thy sweet felicitation

Adds new splendour to my throne,

‘Tis for seeing thee alone

That I merit gratulation;

Therefore I a prize have drawn

That I scarce deserved to win,

And am doubly blessed therein:—

Star, that in the rosy dawn

Dimmest with transcendent ray

Orbs that brightest gem the blue,

What is left the sun to do,

When thou risest with the day?—

Give me then thy hand to kiss,

In whose cup of snowy whiteness

Drinks the day delicious brightness.

ESTRELLA. What a courtly speech is this?

ASTOLFO [aside]. If he takes her hand I feel I am lost.

SECOND SERVANT [aside]. Astolfo’s grief I perceive, and bring relief:—

Think, my lord, excuse my zeal,

That perhaps this is too free,

Since Astolfo … .

SIGISMUND. Did I say

Woe to him that stops my way?—

SECOND SERVANT. What I said was just.

SIGISMUND. To me

This is tiresome and absurd.

Nought is just, or good or ill,

In my sight that balks my will.

SECOND SERVANT. Why, my lord, yourself I heard Say in any righteous thing

It was proper to obey.

SIGISMUND. You must, too, have heard me say Him I would from window throw

Who should tease me or defy?

SECOND SERVANT. Men like me perhaps might show That could not be done, sir.

SIGISMUND. No?

Then, by Heaven, at least, I’ll try!

[He seizes him in his arms and rushes to the side. All follow, and return immediately.]

ASTOLFO. What is this I see? Oh, woe!

ESTRELLA. Oh, prevent him! Follow me!

[Exit.]

SIGISMUND. [returning]. From the window into the sea He has fallen; I told him so.

ASTOLFO. These strange bursts of savage malice You should regulate, if you can;

Wild beasts are to civilised man

As rude mountains to a palace.

SIGISMUND. Take a bit of advice for that:

Pause ere such bold words are said,

Lest you may not have a head

Upon which to hang your hat.

[Exit ASTOLFO.]

* * * * *

SCENE VI.

BASILIUS, SIGISMUND, and CLARIN.

BASILIUS. What’s all this?

SIGISMUND. A trifling thing:

One who teased and thwarted me

I have just thrown into the sea.

CLARIN [to SIGISMUND]. Know, my lord, it is the King.

BASILIUS. Ere the first day’s sun hath set, Has thy coming cost a life?

SIGISMUND Why he dared me to the strife,

And I only won the bet.

BASILIUS. Prince, my grief, indeed is great, Coming here when I had thought

That admonished thou wert taught

To o’ercome the stars and fate,

Still to see such rage abide

In the heart I hoped was free,

That thy first sad act should be

A most fearful homicide.

How could I, by love conducted,

Trust me to thine arms’ embracing,

When their haughty interlacing,

Has already been instructed

How to kill? For who could see,

Say, some dagger bare and bloody,

By some wretch’s heart made ruddy,

But would fear it? Who is he,

Who may happen to behold

On the ground the gory stain

Where another man was slain

But must shudder? The most bold

Yields at once to Nature’s laws;

Thus I, seeing in your arms

The dread weapon that alarms,

And the stain, must fain withdraw;

And though in embraces dear

I would press you to my heart,

I without them must depart,

For, alas! your arms I fear.

SIGISMUND. Well, without them I must stay, As I’ve staid for many a year,

For a father so severe,

Who could treat me in this way, Whose unfeeling heart could tear me

From his side even when a child,

Who, a denizen of the wild,

As a monster there could rear me,

Any by many an artful plan

Sought my death, it cannot grieve me

Much his arms will not receive me

Who has scarcely left me man.

BASILIUS. Would to God it had not been

Act of mine that name conferred,

Then thy voice I ne’er had heard,

Then thy boldness ne’er had seen.

SIGISMUND. Did you manhood’s right retain, I would then have nought to say,

But to give and take away

Gives me reason to complain;

For although to give with grace

Is the noblest act ‘mongst men,

To take back the gift again

Is the basest of the base.

BASILIUS. This then is thy grateful mood

For my changing thy sad lot

To a prince’s!

SIGISMUND. And for what

Should I show my gratitude!

Tyrant of my will o’erthrown,

If thou hoary art and gray,

Dying, what do’st give me? Say,

Do’st thou give what’s not mine own?

Thou’rt my father and my King,

Then the pomp these walls present

Comes to me by due descent

As a simple, natural thing.

Yes, this sunshine pleaseth me,

But ‘tis not through thee I bask;

Nay, a reckoning I might ask

For the life, love, liberty

That through thee I’ve lost so long:

Thine ‘tis rather to thank me,

That I do not claim from thee

Compensation for my wrong.

BASILIUS. Still untamed and uncontrolled;—

Heaven fulfils its word I feel,

I to that same court appeal

‘Gainst thy taunts, thou vain and bold,

But although the truth thou’st heard,

And now know’st thy name and race,

And do’st see thee in this place,

Where to all thou art preferred,

Yet be warned, and on thee take

Ways more mild and more beseeming,

For perhaps thou art but dreaming,

When it seems that thou’rt awake.

[Exit.]

SIGISMUND. Is this, then, a phantom scene? —

Do I wake in seeming show?—

No, I dream not, since I know

What I am and what I’ve been.

And although thou should’st repent thee,

Remedy is now too late.

Who I am I know, and fate,

Howsoe’er thou should’st lament thee,

Cannot take from me my right

Of being born this kingdom’s heir.

If I saw myself erewhile

Prisoned, bound, kept out of sight,

‘Twas that never on my mind

Dawned the truth; but now I know

Who I am — a mingled show

Of the man and beast combined.

* * * * *

SCENE VII.

ROSAURA, in female attire; SIGISMUND, CLARIN, and Servants.

ROSAURA [aside.] To wait upon Estrella I come here, And lest I meet Astolfo tremble with much fear; Clotaldo’s wishes are

The Duke should know me not, and from afar See me, if see he must.

My honour is at stake, he says; my trust

Is in Clotaldo’s truth.

He will protect my honour and my youth.

CLARIN [to SIGISMUND]. Of all this palace here can boast, All that you yet have seen, say which has pleased you most?

SIGISMUND. Nothing surprised me, nothing scared,

Because for everything I was prepared; But if I felt for aught, or more or less

Of admiration, ‘twas the loveliness

Of woman; I have read

Somewhere in books on which my spirit fed, That which caused God the greatest care to plan, Because in him a little world he formed, was man; But this were truer said, unless I err,

Of woman, for a little heaven he made in her; She who in beauty from her birth

Surpasses man as heaven surpasseth earth;

Nay, more, the one I see.

ROSAURA [aside]. The Prince is here; I must this instant flee.

SIGISMUND. Hear, woman! stay;

Nor wed the western with the orient ray,

Flying with rapid tread;

For joined the orient rose and western red, The light and the cold gloom,

The day will sink untimely to its tomb.

But who is this I see?

ROSAURA [aside]. I doubt and yet believe that it is he.

SIGISMUND [aside]. This beauty I have seen Some other time.

ROSAURA [aside]. This proud, majestic mien, This form I once saw bound

Within a narrow cell.

SIGISMUND [aside]. My life I have found.—

Woman, the sweetest name

That man can breathe, or flattering language frame, Who art thou? for before

I see thee, I believe and I adore;

Faith makes my love sublime,

Persuading me we’ve met some other time.

Fair woman, speak; my will must be obeyed.

ROSAURA. In bright Estrella’s train a hapless maid.—

[Aside.] He must not know my name.

SIGISMUND. The sun, say rather, of that star whose flame, However bright its blaze

Is but the pale reflection of thy rays.

In the fair land of flowers,

The realm of sweets that lies in odorous bowers, The goddess rose I have seen

By right divine of beauty reign as queen.

I have seen where brightest shine Gems, the assembled glories of the mine,

The brilliant throng elect the diamond king For the superior splendour it doth fling.

Amid the halls of light,

Where the unresting star-crowds meet at night, I have seen fair Hesper rise

And take the foremost place of all the skies.

And in that higher zone

Where the sun calls the planets round his throne, I have seen, with sovereign sway,

That he presides the oracle of the day.

How, then, ‘mid flowers of earth or stars of air,

‘Mid stones or suns, if that which is most fair The preference gains, canst thou

Before a lesser beauty bend and bow,

When thine own charms compose

Something more bright than sun, stone, star, or rose?

* * * * *

SCENE VIII.

CLOTALDO, who remains at the side-scene; SIGISMUND, CLARIN, and Servants.

CLOTALDO [aside]. To calm Prince Sigismund devolves on me, Because ‘twas I who reared him: — What do I see?

ROSAURA. Thy favour, sir, I prize;

To thee the silence of my speech replies;

For when the reason’s dull, the mind depressed, He best doth speak who keeps his silence best.

SIGISMUND. You must not leave me. Stay:

What! would you rob my senses of the ray

Your beauteous presence gave?

ROSAURA. That licence, from your Highness, I must crave.

SIGISMUND. The violent efforts that you make Show that you do not ask the leave you take.

ROSAURA. I hope to take it, if it is not given.

SIGISMUND. You rouse my courtesy to rage, by heaven!—

In me resistance, as it were, distils

A cruel poison that my patience kills.

ROSAURA. Then though that poison may be strong, The source of fury, violence, and wrong,

Potent thy patience to subdue, It dare not the respect to me that’s due.

SIGISMUND. As if to show I may,

You take the terror of your charms away.

For I am but too prone

To attempt the impossible; I to-day have thrown Out of this window one who said, like you, I dare not do the thing I said I would do.

Now just to show I can,

I may throw out your honour, as the man.

CLOTALDO [aside]. More obstinate doth he grow; What course to take, O heavens! I do not know, When wild desire, nay, crime,

Perils my honour for the second time.

ROSAURA. Not vainly, as I see,

This hapless land was warned thy tyranny

In fearful scandals would eventuate,

In wrath and wrong, in treachery, rage and hate.

But who in truth could claim

Aught from a man who is but a man in name, Audacious, cruel, cold,

Inhuman, proud, tyrannical and bold,

‘Mong beasts a wild beast born?—

SIGISMUND. It was to save me from such words of scorn So courteously I spoke,

Thinking to bind you by a gentler yoke;

But if I am in aught what you have said,

Then, as God lives, I will be all you dread.

Ho, there! here leave us. See to it at your cost, The door be locked; let no one in.

[Exeunt CLARIN and the attendants.]

ROSAURA. I’m lost!

Consider … .

SIGISMUND. I’m a despot, and ‘tis vain

You strive to move me, or my will restrain.

CLOTALDO [aside]. Oh, what a moment! what an agony!

I will go forth and stop him though I die.

[He advances.]

My lord, consider, stay … .

SIGISMUND. A second time you dare to cross my way.

Old dotard: do you hold

My rage in such slight awe you are so bold?

What brought you hither? Speak!

CLOTALDO. The accents of this voice, however weak, To tell you to restrain

Your passions, if as King you wish to reign,—

Not to be cruel, though you deem

Yourself the lord of all, for all may be a dream.

SIGISMUND. You but provoke my rage

By these old saws, the unwelcome light of age, In killing you, at least I’ll see

If ‘tis a dream or truth.

[As he is about to draw his dagger CLOTALDO detains it, and throws himself on his knees.]

CLOTALDO. Sole hope for me

To save my life is thus to humbly kneel.

SIGISMUND. Take your audacious hand from off my steel.

CLOTALDO. Till some kind aid be sent,

Till some one come who may your rage prevent, I will not loose my hold.

ROSAURA. Oh, Heaven!

SIGISMUND. I say,

Loose it, old dotard, grim and gaunt and gray, Or by another death

[They struggle.]

I’ll crush you in my arms while you have breath.

ROSAURA. Quick! quick! they slay

Clotaldo, help! oh, help!

[ASTOLFO enters at this moment, and CLOTALDO falls at his feet; he stands between them.]

ASTOLFO. This strange affray,

What can it mean, magnanimous Prince? would you So bright a blade imbrue

In blood that age already doth congeal?

Back to its sheath return the shining steel.

SIGISMUND. Yes, when it is bathed red

In his base blood.

ASTOLFO. This threatened life hath fled

For sanctuary to my feet;

I must protect it in that poor retreat.

SIGISMUND. Protect your own life, then, for in this way,

Striking at it, I will the grudge repay I owe you for the past.

ASTOLFO. I thus defend

My life; but majesty will not offend.

[ASTOLFO draws his sword and they fight.]

CLOTALDO. Oh! wound him not, my lord.

* * * * *

SCENE IX.

BASILIUS, ESTRELLA and Attendants, SIGISMUND, ASTOLFO, and CLOTALDO.

BASILIUS. Swords flashing here!—

ESTRELLA [aside]. Astolfo is engaged: — Oh, pain severe!

BASILIUS. What caused this quarrel? Speak, say why?

ASTOLFO. ‘Tis nothing now, my lord, since thou art by.

SIGISMUND. ‘Tis much, although thou now art by, my lord.

I wished to kill this old man with my sword.

BASILIUS. Did you not then respect

These snow-white hairs?

CLOTALDO. My lord will recollect

They scarce deserved it, being mine.

SIGISMUND. Who dares

To ask of me do I respect white hairs?

Your own some day

My feet may trample in the public way,

For I have not as yet revenged my wrong,

Your treatment so unjust and my sad state so long.

[Exit.]

BASILIUS. But ere that dawn doth break,

You must return to sleep, where when you wake All that hath happened here will seem —

As is the glory of the world — a dream.

[Exeunt The King, CLOTALDO, and Attendants.]

* * * * *

SCENE X.

ESTRELLA and ASTOLFO

ASTOLFO. Ah, how rarely fate doth lie

When it some misfortune threatens!*

Dubious when ‘tis good that’s promised,

When ‘tis evil, ah, too certain!—

What a good astrologer

Would he be, whose art foretelleth

Only cruel things; for, doubtless,

They would turn out true for ever!

This in Sigismund and me

Is exemplified, Estrella,

Since between our separate fortunes

Such a difference is presented.

In his case had been foreseen

Murders, miseries, and excesses,

And in all they turned out true,

Since all happened as expected.

But in mine, here seeing, lady,

Rays so rare and so resplendent

That the sun is but their shadow.

And even heaven a faint resemblance,

When fate promised me good fortune,

Trophies, praises, and all blessings,

It spoke ill and it spoke well;

For it was of both expressive,

When it held out hopes of favour,

But disdain alone effected.

[footnote] *The vocal asonante in e—e here commences, and continues to the end of the Sixteenth Scene.

ESTRELLA. Oh, I doubt not these fine speeches Are quite true, although intended

Doubtless for that other lady,

She whose portrait was suspended

From your neck, when first, Astolfo,

At this Court here you addressed me.

This being so, ‘tis she alone

Who these compliments deserveth.

Go and pay them to herself,

For like bills that are protested

In the counting-house of love,

Are those flatteries and finesses

Which to other kings and ladies

Have been previously presented.

* * * * *

SCENE XI.

ROSAURA, who remains at the side; ESTRELLA, and ASTOLFO.

ROSAURA [aside]. Well, thank God, my miseries Have attained their lowest level,

Since by her who sees this sight

Nothing worse can be expected.

ASTOLFO. Then that portrait from my breast Shall be taken, that thy perfect

Beauty there may reign instead.

For where bright Estrella enters

Shadow cannot be, or star

Where the sun; I go to fetch it.—

[Aside.] Pardon, beautiful Rosaura,

This offence; the absent never,

Man or woman, as this shows,

Faith of plighted vows remember.

[Exit.]

[ROSAURA comes forward.]

ROSAURA [aside]. Not a single word I heard, Being afraid they might observe me.

ESTRELLA. Oh, Astrea!

ROSAURA. My good lady!

ESTRELLA. Nothing could have pleased me better Than your timely coming here.

I have something confidential

To entrust you with.

ROSAURA. You honour

Far too much my humble service.

ESTRELLA. Brief as is the time, Astrea,

I have known you, you already

Of my heart possess the keys

‘Tis for this and your own merits

That I venture to entrust you

With what oft I have attempted

From myself to hide.

ROSAURA. Your slave!

ESTRELLA. Then concisely to express it,

Know, Astolfo, my first cousin

(‘Tis enough that word to mention,

For some things may best be said

When not spoken but suggested),

Soon expects to wed with me,

If my fate so far relenteth,

As that by one single bliss All past sorrows may be lessened.

I was troubled, the first day

That we met, to see suspended

From his neck a lady’s portrait.

On the point I urged him gently,

He so courteous and polite

Went immediately to get it,

And will bring it here. From him

I should feel quite disconcerted

To receive it. You here stay,

And request him to present it

Unto you. I say no more.

You are beautiful and clever,

You must know too what is love.

[Exit.]

* * * * *

SCENE XII.

ROSAURA. Would I knew it not! O help me

Now, kind heaven! for who could be

So prudential, so collected,

As to know how best to act

In so painful a dilemma?

Is there in the world a being,

Is there one a more inclement

Heaven has marked with more misfortunes,

Has ‘mid more of sorrow centred?—

What, bewildered, shall I do,

When ‘tis vain to be expected

That my reason can console me,

Or consoling be my helper?

From my earliest misfortune

Everything that I’ve attempted

Has been but one misery more —

Each the other’s sad successor,

All inheritors of themselves.

Thus, the Phoenix they resemble,

One is from the other born,

New life springs where old life endeth,

And the young are warmly cradled

By the ashes of the elder.

Once a wise man called them cowards,

Seeing that misfortunes never

Have been seen to come alone.

But I call them brave, intrepid,

Who go straight unto their end,

And ne’er turn their backs in terror:—

By the man who brings them with him

Everything may be attempted,

Since he need on no occasion

Have the fear of being deserted.

I may say so, since at all times,

Whatsoever life presented,

I, without them, never saw me,

Nor will they grow weary ever,

Till they see me in death’s arms,

Wounded by fate’s final weapon.

Woe is me! but what to-day

Shall I do in this emergence?—

If I tell my name, Clotaldo,

Unto whom I am indebted

For my very life and honour,

May be with me much offended;

Since he said my reparation

Must in silence be expected.

If I tell not to Astolfo

Who I am, and he detects me

How can I dissemble then?

For although a feigned resemblance

Eyes and voice and tongue might try,

Ah, the truthful heart would tremble,

And expose the lie. But wherefore

Study what to do? ‘Tis certain

That however I may study,

Think beforehand how to nerve me,

When at last the occasion comes,

Then alone what grief suggesteth

I will do, for no one holds

In his power the heart’s distresses.

And thus what to say or do

As my soul cannot determine,

Grief must only reach to-day

Its last limit, pain be ended,

And at last an exit make

From the doubts that so perplex me

How to act: but until then

Help me, heaven, oh, deign to help me!

* * * * *

SCENE XIII.

ASTOLFO, with the portrait; and ROSAURA.

ASTOLFO. Here then is the portrait, Princess: But, good God!

ROSAURA. Your Highness trembles;

What has startled, what surprised you?

ASTOLFO. Thee, Rosaura, to see present.

ROSAURA. I Rosaura? Oh, your Highness

Is deceived by some resemblance

Doubtless to some other lady;

I’m Astrea, one who merits

Not the glory of producing

An emotion so excessive.

ASTOLFO. Ah, Rosaura thou mayst feign,

But the soul bears no deception,

And though seeing thee as Astrea,

As Rosaura it must serve thee.

ROSAURA. I, not knowing what your Highness Speaks of, am of course prevented

From replying aught but this,

That Estrella (the bright Hesper

Of this sphere) was pleased to order

That I here should wait expectant

For that portrait, which to me

She desires you give at present:

For some reason she prefers

It through me should be presented —

So Estrella — say, my star —

Wishes — so a fate relentless

Wills — in things that bring me loss —

So Estrella now expecteth.

ASTOLFO. Though such efforts you attempt,

Still how badly you dissemble,

My Rosaura! Tell the eyes

In their music to keep better

Concert with the voice, because

Any instrument whatever

Would be out of tune that sought

To combine and blend together

The true feelings of the heart

With the false words speech expresses.

ROSAURA. I wait only, as I said, For the portrait.

ASTOLFO. Since you’re bent then

To the end to keep this tone,

I adopt it, and dissemble.

Tell the Princess, then, Astrea,

That I so esteem her message,

That to send to her a copy

Seems to me so slight a present,

How so highly it is valued

By myself, I think it better

To present the original,

And you easily may present it,

Since, in point of fact, you bring it

With you in your own sweet person.

ROSAURA. When it has been undertaken

By a man, bold, brave, determined,

To obtain a certain object,

Though he get perhaps a better,

Still not bringing back the first

He returns despised: I beg, then.

That your highness give the portrait;

I, without it, dare not venture.

ASTOLFO. How, then, if I do not give it

Will you get it?

ROSAURA. I will get it

Thus, ungrateful.

[She attempts to snatch it.[

ASTOLFO. ‘Tis in vain.

ROSAURA. It must ne’er be seen, no, never

In another woman’s hands.

ASTOLFO. Thou art dreadful.

ROSAURA. Thou deceptive.

ASTOLFO. Oh, enough, Rosaura mine.

ROSAURA. Thine! Thou liest, base deserter.

[Both struggle for the portrait.]

* * * * *

SCENE XIV.

ESTRELLA, ROSAURA, and ASTOLFO.

ESTRELLA. Prince! Astrea! What is this?

ASTOLFO [aside] Heavens! Estrella!

ROSAURA [aside]. Love befriend me;

Give me wit enough my portrait

To regain: — If thou would’st learn then

[To ESTRELLA.]

What the matter is, my lady,

I will tell thee.

ASTOLFO [aside to ROSAURA.] Would’st o’erwhelm me?

ROSAURA. You commanded me to wait here

For the Prince, and representing

You, to get from him a portrait.

I remained alone, expecting,

And, as often by one thought

Is some other thought suggested,

Seeing that you spoke of portraits,

I, reminded thus, remembered

That I had one of myself

In my sleeve: I wished to inspect it,

For a person quite alone

Even by trifles is diverted.

From my hand I let it fall

On the ground; the Prince, who entered

With the other lady’s portrait,

Raised up mine, but so rebellious

Was he to what you had asked him

That, instead of his presenting

One, he wished to keep the other.

Since he mine will not surrender

To my prayers and my entreaties:

Angry at this ill-timed jesting

I endeavoured to regain it,

That which in his hand is held there

Is my portrait, if you see it;

You can judge of the resemblance.

ESTRELLA. Duke, at once, give up the portrait.

[She takes it from his hand.]

ASTOLFO. Princess … .

ESTRELLA. Well, the tints were blended

By no cruel hand, methinks.

ROSAURA. Is it like me?

ESTRELLA. Like! ‘Tis perfect.

ROSAURA. Now demand from him the other.

ESTRELLA. Take your own, and leave our presence.

ROSAURA [aside]. I have got my portrait back; Come what may I am contented.

[Exit.]

* * * * *

SCENE XV.

ESTRELLA and ASTOLFO.

ESTRELLA. Give me now the other portrait;

For — although perhaps I never

May again address or see you —

I desire not, no, to let it

In your hands remain, if only

For my folly in requesting

You to give it.

ASTOLFO [aside]. How escape

From this singular dilemma?—

Though I wish, most beauteous Princess,

To obey thee and to serve thee,

Still I cannot give the portrait

Thou dost ask for, since … .

ESTRELLA. A wretched

And false-hearted lover art thou.

Now I wish it not presented,

So to give thee no pretext

For reminding me that ever

I had asked it at thy hands.

[Exit.

ASTOLFO. Hear me! listen! wait! I remember! —

God, what has thou done, Rosaura?

Why, or wherefore, on what errand,

To destroy thyself and me

Hast thou Poland rashly entered?

[Exit.

* * * * *

SCENE XVI.

PRISON OF THE PRINCE IN THE TOWER.

SIGISMUND, as at the commencement, clothed in skins, chained, and lying on the ground; CLOTALDO, Two Servants, and CLARIN.

CLOTALDO. Leave him here on the ground,

Where his day,— its pride being o’er,—

Finds its end too.

A SERVANT. As before

With the chain his feet are bound.

CLARIN. Never from that sleep profound

Wake, O Sigismund, or rise,

To behold with wondering eyes

All thy glorious life o’erthrown,

Like a shadow that hath flown,

Like a bright brief flame that dies!

CLOTALDO. One who can so wisely make

Such reflections on this case

Should have ample time and space,

Even for the Solon’s sake,

[To the Servant.]

To discuss it; him you’ll take

To this cell here, and keep bound.

[Pointing to an adjoining room]

CLARIN. But why me?

CLOTALDO. Because ‘tis found

Safe, when clarions secrets know,

Clarions to lock up, that so

They may not have power to sound.

CLARIN. Did I, since you treat me thus,

Try to kill my father? No.

Did I from the window throw

That unlucky Icarus?

Is my drink somniferous?

Do I dream? Then why be pent?

CLOTALDO. ‘Tis a clarion’s punishment.

CLARIN. Then a horn of low degree,

Yea, a cornet I will be,

A safe, silent instrument.

[They take him away, and CLOTALDO remains alone.]

* * * * *

SCENE XVII.

BASILIUS, disguised; CLOTALDO, and SIGISMUND, asleep.

BASILIUS. Hark, Clotaldo!

CLOTALDO. My lord here?

Thus disguised, your majesty?

BASILIUS. Foolish curiosity

Leads me in this lowly gear

To find out, ah, me! with fear,

How the sudden change he bore.

CLOTALDO. There behold him as before

In his miserable state.

BASILIUS. Wretched Prince! unhappy fate!

Birth by baneful stars watched o’er!—

Go and wake him cautiously,

Now that strength and force lie chained

By the opiate he hath drained.

CLOTALDO. Muttering something restlessly,

See he lies.

BASILIUS. Let’s listen; he

May some few clear words repeat.

SIGISMUND. [Speaking in his sleep.]

Perfect Prince is he whose heat

Smites the tyrant where he stands,

Yes, Clotaldo dies by my hands,

Yes, my sire shall kiss my feet.

CLOTALDO. Death he threatens in his rage.

BASILIUS. Outrage vile he doth intend.

CLOTALDO. He my life has sworn to end.

BASILIUS. He has vowed to insult my age.

SIGISMUND [still sleeping]. On the mighty world’s great stage,

‘Mid the admiring nations’ cheer,

Valour mine, that has no peer,

Enter thou: the slave so shunned

Now shall reign Prince Sigismund,

And his sire he wrath shall fear.—

[He awakes.]

But, ah me! Where am I? Oh!—

BASILIUS. Me I must not let him see.

[To CLOTALDO.]

Listening I close by will be, What you have to do you know.

[He retires.]

SIGISMUND. Can it possibly be so?

Is the truth not what it seemed?

Am I chained and unredeemed?

Art not thou my lifelong tome,

Dark old tower? Yes! What a doom!

God! what wondrous things I’ve dreamed!

CLOTALDO. Now in this delusive play

Must my special part be taken:—

Is it not full time to waken?

SIGISMUND. Yes, to waken well it may.

CLOTALDO. Wilt thou sleep the livelong day?—

Since we gazing from below

Saw the eagle sailing slow,

Soaring through the azure sphere,

All the time thou waited here,

Didst thou never waken?

SIGISMUND. No,

Nor even now am I awake

Since such thoughts my memory fill,

That it seems I’m dreaming still:

Nor is this a great mistake;

Since if dreams could phantoms make

Things of actual substance seen,

I things seen may phantoms deem.

Thus a double harvest reaping,

I can see when I am sleeping,

And when waking I can dream.

CLOTALDO. What you may have dreamed of, say.

SIGISMUND. If I thought it only seemed,

I would tell not what I dreamed,

But what I beheld, I may.

I awoke, and lo! I lay

(Cruel and delusive thing!)

In a bed whose covering,

Bright with blooms from rosy bowers,

Seemed a tapestry of flowers

Woven by the hand of Spring.

Then a crowd of nobles came,

Who addressed me by the name

Of their prince, presenting me

Gems and robes, on bended knee.

Calm soon left me, and my frame

Thrilled with joy to hear thee tell

Of the fate that me befell,

For though now in this dark den,

I was Prince of Poland then.

CLOTALDO. Doubtless you repaid me well?

SIGISMUND. No, not well: for, calling thee Traitor vile, in furious strife

Twice I strove to take thy life.

CLOTALDO. But why all this rage ‘gainst me?

SIGISMUND. I was master, and would be

Well revenged on foe and friend.

Love one woman could defend … . .

That, at least, for truth I deem,

All else ended like a dream,

THAT alone can never end.

[The King withdraws.]

CLOTALDO [aside]. From his place the King hath gone, Touched by his pathetic words:—

[Aloud]

Speaking of the king of birds

Soaring to ascend his throne,

Thou didst fancy one thine own;

But in dreams, however bright,

Thou shouldst still have kept in sight

How for years I tended thee,

For ‘twere well, whoe’er we be,

Even in dreams to do what’s right.

[Exit.]

* * * * *

SCENE XVIII.

SIGISMUND. That is true: then let’s restrain This wild rage, this fierce condition

Of the mind, this proud ambition,

Should we ever dream again:

And we’ll do so, since ‘tis plain,

In this world’s uncertain gleam,

That to live is but to dream:

Man dreams what he is, and wakes

Only when upon him breaks

Death’s mysterious morning beam.

The king dreams he is a king,

And in this delusive way

Lives and rules with sovereign sway;

All the cheers that round him ring,

Born of air, on air take wing.

And in ashes (mournful fate!)

Death dissolves his pride and state:

Who would wish a crown to take,

Seeing that he must awake

In the dream beyond death’s gate?

And the rich man dreams of gold,

Gilding cares it scarce conceals,

And the poor man dreams he feels

Want and misery and cold.

Dreams he too who rank would hold,

Dreams who bears toil’s rough-ribbed hands, Dreams who wrong for wrong demands,

And in fine, throughout the earth,

All men dream, whate’er their birth,

And yet no one understands.

‘Tis a dream that I in sadness

Here am bound, the scorn of fate;

‘Twas a dream that once a state

I enjoyed of light and gladness.

What is life? ‘Tis but a madness.

What is life? A thing that seems,

A mirage that falsely gleams,

Phantom joy, delusive rest,

Since is life a dream at best,

And even dreams themselves are dreams.

* * * * *

ACT THE THIRD.

WITHIN THE TOWER.

* * * * *

SCENE I.

CLARIN. In a strange enchanted tower,

I, for what I know, am prisoned;*

How would ignorance be punished,

If for knowledge they would kill me?

What a thing to die of hunger,

For a man who loves good living!

I compassionate myself;

All will say: “I well believe it”;

And it well may be believed,

Because silence is a virtue

Incompatible with my name

Clarin, which of course forbids it.

In this place my sole companions,

It may safely be predicted,

Are the spiders and the mice:

What a pleasant nest of linnets!—

Owing to this last night’s dream,

My poor head I feel quite dizzy

From a thousand clarionets,

Shawms, and seraphines and cymbals,

Crucifixes and processions,

Flagellants who so well whipped them,

That as up and down they went,

Some even fainted as they witnessed

How the blood ran down the others.

I, if I the truth may whisper,

Simply fainted from not eating,

For I see me in this prison

All day wondering how this Poland

Such a ‘Hungary’ look exhibits,

All night reading in the ‘Fasti’

By some half-starved poet written.**

In the calendar of saints,

If a new one is admitted,

Then St. Secret be my patron,

For I fast upon his vigil;

Though it must be owned I suffer

Justly for the fault committed,

Since a servant to be silent

Is a sacrilege most sinful.

[A sound of drums and trumpets, with voices within.]

*[footnote] The asonante to the end of Scene IV. is in i—e, or their vocal equivalents.

**[footnote] These four lines are a paraphrase of the original. Clarin’s jokes are different, and not much better. He says he spends his days studying philosophy in the works of

‘Nicomedes’ (or ‘Not-eating’), and his nights perusing the decrees of the ‘Nicene’ Council (Concilio ‘Niceno’, the Council of ‘No-Supper’).

* * * * *

SCENE II.

Soldiers and CLARIN.

FIRST SOLDIER [within]. He is here within this tower.

Dash the door from off its hinges;

Enter all

CLARIN: Good God! ‘tis certain

That ‘tis me they seek so briskly,

Since they say that I am here.

What can they require?

FIRST SOLDIER [within]. Go in there.

[Several Soldiers enter.

SECOND SOLDIER. Here he is.

CLARIN. He’s not.

ALL THE SOLDIERS. Great lord!

CLARIN [aside]. Are the fellows mad or tipsy?

FIRST SOLDIER. Thou art our own Prince, and we Will not have, and won’t admit of,

Any but our natural Prince;

We no foreign Prince here wish for.

Let us kneel and kiss thy feet.

THE SOLDIERS. Live, long live our best of Princes!

CLARIN [aside.] ‘Gad! the affair grows rather serious.

Is it usual in this kingdom

To take some one out each day,

Make him Prince, and then remit him

To this tower? It must be so,

Since each day that sight I witness.

I must therefore play my part.

SOLDIERS. Thy feet give us!

CLARIN. I can’t give them,

As I want them for myself.

For a prince to be a cripple

Would be rather a defect.

SECOND SOLDIER. We have all conveyed our wishes To your father; we have told him

You alone shall be our Prince here,

Not the Duke.

CLARIN. And were you guilty

‘Gainst my sire, of disrespect?

FIRST SOLDIER. ‘Twas the loyalty of our spirit.

CLARIN. If ‘twas loyalty, I forgive you.

SECOND SOLDIER. Come, regain thy lost dominion.

Long live Sigismund!

ALL. Live the Prince.

CLARIN [aside]. Say they Sigismund? Good. Admitted.

Sigismund must be the name

Given to all pretended princes.

* * * * *

SCENE III.

SIGISMUND, CLARIN, and Soldiers.

SIGISMUND. Who has named here Sigismund?

CLARIN [aside.] Ah, I’m but an addled prince, then!

FIRST SOLDIER. Who is Sigismund?

SIGISMUND. Who? I.

SECOND SOLDIER [to CLARIN]. How, then, didst thou, bold and silly, Dare to make thee Sigismund?

CLARIN. I a Sigismund? Thou fibbest;

It was you yourselves that thus

Sigismundized me and princed me:

All the silliness and the boldness

Have been by yourselves committed.

FIRST SOLDIER. Great and brave Prince Sigismund (For thy bearing doth convince us

Thou art he, although on faith

We proclaim thee as our prince here).

King Basilius, thy father,

Fearful of the Heavens fulfilling

A prediction, which declared

He would see himself submitted

At thy victor feet, attempts

To deprive thee of thy birthright,

And to give it to Astolfo,

Muscovy’s duke. For this his missives

Summoned all his court: the people

Understanding, by some instinct,

That they had a natural king,

Did not wish a foreign princeling

To rule o’er them. And ‘tis thus, That the fate for thee predicted

Treating with a noble scorn,

They have sought thee where imprisoned

Thou dost live, that issuing forth,

By their powerful arms assisted,

From this tower, thy crown and sceptre

Thou shouldst thus regain, and quit them

Of a stranger and a tyrant.

Forth! then; for among these cliffs here

There is now a numerous army,

Formed of soldiers and banditti,

That invoke thee: freedom waits thee;

To the thousand voices listen.

[Voices within.] Long, long live Prince Sigismund!

SIGISMUND. Once again, O Heaven! wouldst wish me Once again to dream of greatness

Which may vanish in an instant?

Once again to see the glories,

That a royal throne encircle,

Die in darkness and in gloom,

Like a flame the winds extinguish?

Once again by sad experience

To be taught the dangerous limits

Human power may overleap,

At its birth and while it liveth?

No, it must not, must not be:—

See me now one more submitted

To my fate; and since I know

Life is but a dream, a vision,

Hence, ye phantoms, that assume

To my darkened sense the figure

And the voice of life — although

Neither voice nor form is in them.

I no longer now desire

A feigned majesty, a fictitious

And fantastic pomp — illusions

Which the slightest breath that ripples

The calm ether can destroy,

Even as in the early spring-time,

When the flowering almond tree

Unadvisedly exhibits

All its fleeting bloom of flowers,

The first blast their freshness withers,

And the ornament and grace

Of its rosy locks disfigures.

Now I know ye — know ye all,

And I know the same false glimmer

Cheats the eyes of all who sleep.

Me false shows no more bewilder;

Disabused, I now know well

Life is but a dream — a vision.

SECOND SOLDIER. If thou thinkest we deceive thee, Turn thine eyes to those proud cliffs here, See the crowds that wait there, willing,

Eager to obey thee.

SIGISMUND. Yet

Just as clearly and distinctly,

I have seen another time

The same things that now I witness,

And ‘twas but a dream.

SECOND SOLDIER. At all times

Great events, my lord, bring with them

Their own omens; and thy dream

But the actual fact prefigured.

SIGISMUND. You say well, it was an omen;

But supposing the bright vision

Even were true, since life is short,

Let us dream, my soul a little,

Once again, remembering now

With all forethought and prevision

That we must once more awake

At the better time not distant;

That being known, the undeceiving,

When it comes, will be less bitter;

For it takes the sting from evil

To anticipate its visit.

And with this conviction, too,

Even its certainty admitting,

That all power being only lent

Must return unto the Giver,

Let us boldly then dare all.—

For the loyalty you exhibit,

Thanks, my lieges. See in me

One who will this land deliver

From a stranger’s alien yoke.

Sound to arms; you soon shall witness

What my valour can effect.

‘Gainst my father I have lifted

Hostile arms, to see if Heaven Has of me the truth predicted.

At my feet I am to see him …

But if I, from dreams delivered,

[Aside.

Wake ere then, and nothing happens,

Silence now were more befitting.

ALL. Long live Sigismund, our king!

* * * * *

SCENE IV.

CLOTALDO, SIGISMUND, CLARIN, and Soldiers.

CLOTALDO. Ha! what tumult, Heavens! has risen?

SIGISMUND. Well, Clotaldo.

CLOTALDO. Sire … . On me

[Aside.

Will his wrath now fall.

CLARIN [aside]. He’ll fling him

Headlong down the steep, I’ll bet.

[Exit.

CLOTALDO. At your royal feet submitted

I know how to die.

SIGISMUND. My father,

Rise, I pray, from that position,

Since to you, my guide and polestar,

Are my future acts committed;

All my past life owes you much

For your careful supervision.

Come, embrace me.

CLOTALDO. What do you say?

SIGISMUND. That I dream, and that my wishes Are to do what’s right, since we

Even in dreams should do what’s fitting.

CLOTALDO. Then, my prince, if you adopt

Acting rightly as your symbol,

You will pardon me for asking,

So to act, that you permit me.

No advice and no assistance

Can I give against my king.

Better that my lord should kill me At his feet here.

SIGISMUND. Oh, ungrateful!

Villain! wretch! [Aside.] But Heavens! ‘tis fitter I restrain myself, not knowing

But all this may be a vision.—

The fidelity I envy

Must be honoured and admitted.

Go and serve your lord, the king.

Where the battle rages thickest

We shall meet. — To arms, my friends!

CLOTALDO. Thanks, most generous of princes.

[Exit.

SIGISMUND. Fortune, we go forth to reign;

Wake me not if this is vision,

Let me sleep not if ‘tis true.

But whichever of them is it,

To act right is what imports me.

If ‘tis true, because it is so;

If ‘tis not, that when I waken

Friends may welcome and forgive me.

[Exeunt all, drums beating.

* * * * *

SCENE V.

HALL IN THE ROYAL PALACE.

BASILIUS and ASTOLFO.

BASILIUS. Who can expect, Astolfo, to restrain An untamed steed that wildly turns to flee?

Who can the current of a stream detain,

That swollen with pride sweeps down to seek the sea?

Who can prevent from tumbling to the plain Some mighty peak the lightning’s flash sets free?

Yet each were easier in its separate way,

Than the rude mob’s insensate rage to stay.

The several bands that throng each green retreat This truth proclaim by their disparted cries; Astolfo here the echoing notes repeat,

While there ‘tis Sigismund that rends the skies The place where late the land was glad to greet The choice we made, a second venture tries;

And soon will be, as Horror o’er it leans, The fatal theatre of tragic scenes.

ASTOLFO. My lord, let all this joy suspended be, These plaudits cease, and to another day

Defer the rapture thou hast promised me;

For if this Poland (which I hope to sway)

Resists to-day my right of sovereignty,

‘Tis that by merit I should win my way.

Give me a steed; to stem this wild revolt

My pride shall be the flash that bears the bolt.

[Exit.

BASILIUS. Slight help there is for what is fixed by fate, And much of danger to foresee the blow;

If it must fall, defence is then too late, And he who most forestalls doth most foreknow.

Hard law! Stern rule! Dire fact to contemplate!

That he who thinks to fly doth nearer go.

Thus by the very means that I employed,

My country and myself I have destroyed.

* * * * *

SCENE VI.

ESTRELLA and BASILIUS.

ESTRELLA. If, mighty lord, thy presence, which it braves, The tumult of the crowd cannot defeat —

The frenzy of the multitude that raves

In hostile bands through every square and street,—

Thou’lt see thy kingdom swim in crimson waves, A purple sea of blood shall round it beat; For even already in its dismal doom

All is disaster, tragedy, and gloom.

Such is thy kingdom’s ruin, so severe

The hard and bloody trial fate hath sent,

Dazed is the eye, and terrified the ear;

Dark grows the sun, and every wind is spent; Each stone a mournful obelisk doth rear,

And every flower erects a monument;

A grave seems every house, whence life is gone,—

Each soldier is a living skeleton.

* * * * *

SCENE VII.

CLOTALDO, BASILIUS, and ESTRELLA.

CLOTALDO. Thanks be to God, I reach thy feet alive.

BASILIUS. What news of Sigismund, Clotaldo, say?

CLOTALDO. The crowd, whom frenzy and blind impulse drive, Into the tower resistless burst their way, Released the Prince, who seeing thus revive The honour he had tasted for one day,

Looked brave, declaring, in a haughty tone, The truth at last that heaven must now make known.

BASILIUS. Give me a horse! In person forth I’ll ride To check the pride of this ungrateful son.

Where Science erred let now the sword decide; By my own valour shall my throne be won!

[Exit.

ESTRELLA. Let me the glory of the fight divide —

A twinkling star beside that royal sun —

Bellona matched with Mars: for I would dare To scale even heaven to rival Pallas there.

[Exit, and they sound to arms.

* * * * *

SCENE VIII.

ROSAURA, who detains CLOTALDO.

ROSAURA. Though the trumpets from afar

Echo in thy valorous breast,

Hear me, list to my request,

For I know that all is war.

Well thou knowest that I came

Poor to Poland, sad, dejected;

And that graciously protected,

Thou thy pity let me claim.

It was thy command, ah, me!

I should live here thus disguised,

Striving, as thy words advised

(Hiding all my jealousy),

To avoid Astolfo’s sight;

But he saw me, and though seeing,

With Estrella, he — false being!—

Converse holds this very night

In a garden bower. The key

I have taken, and will show

Where, by entering, with a blow

Thou canst end my misery.

Thus, then, daring, bold, and strong,

Thou my honour wilt restore;

Strike, and hesitate no more,

Let his death revenge my wrong.

CLOTALDO. It is true, my inclination

Since thou first wert seen by me,

Was to strive and do for thee

(Be thy tears my attestation)

All my life could do to serve thee.

What I first was forced to press,

Was that thou should’st change thy dress;

Les if chancing to observe thee

Masquerading like a page,

By appearances so strong

Led astray, the Duke might wrong

By a thought thy sex and age.

Meanwhile various projects held me

In suspense, oft pondering o’er

How thy honour to restore;

Though (thy honour so compelled me)

I Astolfo’s life should take —

Wild design that soon took wing —

Yet, as he was not my king,

It no terror could awake.

I his death was seeking, when

Sigismund with vengeful aim

Sought for mine; Astolfo came,

And despising what most men

Would a desperate peril deem,

Stood in my defence; his bearing,

Nigh to rashness in its daring,

Showed a valour most extreme.

How then, think, could I, whose breath

Is his gift, in murderous strife,

For his giving me my life,

Strive in turn to give him death?

And thus, grateful, yet aggrieved,

By two opposite feelings driven,

Seeing it to thee have given,

And from him have it received,

Doubting this, and that believing,

Half revenging, half forgiving,

If to thee I’m drawn by giving,

I to him am by receiving;

Thus bewildered and beset,

Vainly seeks my love a way,

Since I have a debt to pay,

Where I must exact a debt

ROSAURA. It is settled, I believe,

As all men of spirit know,

That ‘tis glorious to bestow,

But a meanness to receive.

Well, admitting this to be,

Then thy thanks should not be his,

Even supposing that he is

One who gave thy life to thee;

As the gift of life was thine,

And from him the taking came,

In this case the act was shame,

And a glorious act in mine.

Thus by him thou art aggrieved,

And by me even complimented,

Since to me thou hast presented

What from him thou hast received:

Then all hesitation leaving,

Thou to guard my fame shouldst fly,

Since my honour is as high

As is giving to receiving.

CLOTALDO. Thou it seems a generous fever

In a noble heart to give,

Still an equal fire may live

In the heart of the receiver.

Heartlessness is something hateful,

I would boast a liberal name;

Thus I put my highest claim

In the fact of being grateful.

Then to me that title leave,—

Gentle birth breeds gentleness;

For the honour is no less

To bestow than to receive.

ROSAURA. I received my life from thee,

But for thee I now were dead;

Still it was thyself that said

No insulted life could be

Called a life: on that I stand;

Nought have I received from thee,

For the life no life could be

That was given me by thy hand.

But if thou wouldst first be just

Ere being generous in this way

(As I heard thyself once say),

Thou will give me life I trust,

Which thou hast not yet; and thus

Giving will enhance thee more,

For if liberal before,

Thou wilt then be generous.

CLOTALDO. Conquered by thy argument,

Liberal I first will be.

I, Rosaura, will to thee

All my property present;

In a convent live; by me

Has the plan been weighed some time,

For escaping from a crime

Thou wilt there find sanctuary;

For so many ills present them

Through the land on every side,

That being nobly born, my pride

Is to strive and not augment them.

By the choice that I have made,

Loyal to the land I’ll be,

I am liberal with thee,

And Astolfo’s debt is paid;

Choose then, nay, let honour, rather,

Choose for thee, and for us two,

For, by Heaven! I could not do

More for thee were I thy father!—

ROSAURA. Were that supposition true,

I might strive and bear this blow;

But not being my father, no.

CLOTALDO. What then dost thou mean to do?

ROSAURA. Kill the Duke.

CLOTALDO. A gentle dame,

Who no father’s name doth know,

Can she so much valour show?

ROSAURA. Yes.

CLOTALDO. What drives thee on?

ROSAURA. My fame.

CLOTALDO. Think that in the Duke thou’lt see … .

ROSAURA. Honour all my wrath doth rouse.

CLOTALDO. Soon thy king — Estrella’s spouse.

ROSAURA. No, by Heaven! it must not be.

CLOTALDO. It is madness.

ROSAURA. Yes, I see it.

CLOTALDO. Conquer it.

ROSAURA. I can’t o’erthrow it.

CLOTALDO. It will cost thee … .

ROSAURA. Yes, I know it.

CLOTALDO. Life and honour.

ROSAURA. Well, so be it.

CLOTALDO. What wouldst have?

ROSAURA. My death.

CLOTALDO. Take care!

It is spite.

ROSAURA. ‘Tis honour’s cure.

CLOTALDO. ‘Tis wild fire.

ROSAURA. That will endure.

CLOTALDO. It is frenzy.

ROSAURA. Rage, despair.

CLOTALDO. Can there then be nothing done

This blind rage to let pass by?

ROSAURA. No.

CLOTALDO. And who will help thee?

ROSAURA. I.

CLOTALDO. Is there then no remedy?

ROSAURA. None.

CLOTALDO. Think of other means whereby … .

ROSAURA. Other means would seal my fate.

[Exit.

CLOTALDO. If ‘tis so, then, daughter, wait, For together we shall die.

[Exit.

* * * * *

SCENE IX.

THE OPEN PLAIN.

SIGISMUND, clothed in skins: Soldiers marching. CLARIN.

[Drums are heard.]

SIGISMUND. If Rome could see me on this day Amid the triumphs of its early sway,

Oh, with what strange delight

It would have seen so singular a sight,

Its mighty armies led

By one who was a savage wild beast bred,

Whose courage soars so high,

That even an easy conquest seems the sky!

But let us lower our flight,

My spirit; ‘tis not thus we should invite

This doubtful dream to stay,

Lest when I wake and it has past away,

I learn to my sad cost,

A moment given, ‘twas in a moment lost;

Determined not to abuse it,

The less will be my sorrow should I lose it.

[A trumpet sounds.

CLARIN. Upon a rapid steed,

(Excuse my painting it; I can’t indeed

Resist the inspiration),

Which seems a moving mass of all creation, Its body being the earth,

The fire the soul that in its heart hath birth, Its foam the sea, its panting breath the air, Chaos confused at which I stand and stare, Since in its soul, foam, body, breath, to me It is a monster made of fire, earth, air, and sea; Its colour dapple grey,

Speckled its skin, and flecked, as well it may, By the impatient spur its flank that dyes, For lo! it doth not run, the meteor flies; As borne upon the wind,

A beauteous woman seeks thee.

SIGISMUND. I’m struck blind!

CLARIN. Good God, it is Rosaura, oh, the pain!

[Retires.

SIGISMUND. Heaven has restored her to my sight again.

* * * * *

SCENE X.

ROSAURA, in a light corselet, with sword and dagger; SIGISMUND, and Soldiers.

ROSAURA. Noble-hearted Sigismund!

Thou whose hidden light heroic

Issues from its night of shadows

To the great deeds of its morning; And as heaven’s sublimest planet

From the white arms of Aurora

Back restores their beauteous colour

To the wild flowers and the roses,

And upon the seas and mountains,

When endiademed with glory,

Scatters light, diffuses splendour,

Braids their foam, their hair makes golden; Thus thou dawnest on the world

Bright auspicious sun of Poland,

Who will help a hapless woman,

She who at thy feet doth throw her,

Help her, since she is unhappy,

And a woman; two good motives

Quite enough to move a man

Who of valour so doth boast him,

Though even one would be sufficient,

Though even one would be all potent.

Thou hast seen me thrice already,

Thrice thou hast not truly known me,

For each time by different dresses

Was I strangely metamorphosed.

First I seemed to thee a man,

When within thy sad and sombre

Cell thou sawest me, when thy life

Wiled from me mine own misfortunes.

As a woman next thou sawest me,

Where the splendours of thy throne-room

Vanished like a fleeting vision,

Vain, phantasmal and abortive.

The third time is now, when being

Something monstrous and abnormal,

In a woman’s dress thou see’st me

With a warrior’s arms adorned.

And to pity and compassion

That thou may’st be moved more strongly,

Listen to the sad succession

Of my tragical misfortunes.

In the Court of Muscovy

I was born of a noble mother,

Who indeed must have been fair

Since unhappiness was her portion.

Fond and too persuading eyes

Fixed on her, a traitor lover,

Whom, not knowing, I don’t name,

Though mine own worth hath informed me What was his: for being his image,

I sometimes regret that fortune

Made me not a pagan born,

That I might, in my wild folly,

Think he must have been some god,

Such as he was, who in golden

Shower wooed Danae, or as swan

Leda loved, as bull, Europa.

When I thought to lengthen out,

Citing these perfidious stories,

My discourse, I find already

That I have succinctly told thee

How my mother, being persuaded

By the flatteries of love’s homage,

Was a fair as any fair,

And unfortunate as all are.

That ridiculous excuse

Of a plighted husband’s promise

So misled her, that even yet

the remembrance brings her sorrow.

For that traitor, that Aeneas

Flying from his Troy, forgot there,

Or left after him his sword.

By this sheath its blade is covered,

But it shall be naked drawn

Ere this history is over.

From this loosely fastened know

Which binds nothing, which ties nothing,

Call it marriage, call it crime,

Names its nature cannot alter,

I was born, a perfect image,

A true copy of my mother,

In her loveliness, ah, no!

In her miseries and misfortunes.

Therefore there is little need

To say how the hapless daughter,

Heiress of such scant good luck,

Had her own peculiar portion.

All that I will say to thee

Of myself is, that the robber

Of the trophies of my fame,

Of the sweet spoils of my honour,

Is Astolfo … . Ah! to name him

Stirs and rouses up the choler

Of the heart, a fitting effort

When an enemy’s name is spoken,—

Yes, Astolfo was that traitor,

Who, forgetful of his promise

(For when love has passed away,

Even its memory is forgotten),

Came to Poland, hither called.

From so sweet so proud a conquest,

To be married to Estrella,

Of my setting sun the torch light.

Who’ll believe that when one star

Oft unites two happy lovers,

Now one star, Estrella, comes

Two to tear from one another?

I offended, I deceived,

Sad remained, remained astonished,

Mad, half dead, remained myself;

That’s to say, in so much torment,

That my heart was like a Babel

Of confusion, hell, and horror:

I resolving to be mute,

(For there are some pains and sorrows

That by feelings are expressed,

Better than when words are spoken).

I by silence spoke my pain,

Till one day being with my mother

Violante, she (oh, heavens!)

Burst their prison; like a torrent

Forth they rushed from out my breast,

Streaming wildly o’er each other.

No embarrassment it gave me

To relate them, for the knowing

That the person we confide to

A like weakness must acknowledge

Gives as ‘twere to our confusion

A sweet soothing and a solace,

For at times a bad example

Has its use. In fine, my sorrows

She with pity heard, relating

Even her own grief to console me:

When he has himself been guilty

With what ease the judge condoneth!

Knowing from her own experience

That ‘twas idle, to slow-moving

Leisure, to swift-fleeting time,

To intrust one’s injured honour.

She could not advise me better,

As the cure of my misfortunes, Than to follow and compel him

By prodigious acts of boldness

To repay my honour’s debt:

And that such attempt might cost me

Less, my fortune wished that I

Should a man’s strange dress put on me.

She took down an ancient sword,

Which is this I bear: the moment

Now draws nigh I must unsheath it,

Since to her I gave that promise,

When confiding in its marks,

Thus she said, “Depart to Poland,

And so manage that this steel

Shall be seen by the chief nobles

Of that land, for I have hope

That there may be one among them

Who may prove to thee a friend,

An adviser and consoler.”

Well, in Poland I arrived;

It is useless to inform thee

What thou knowest already, how

A wild steed resistless bore me

To thy caverned tower, wherein

Thou with wonder didst behold me.

Let us pass too, how Clotaldo

Passionately my cause supported,

How he asked my life of the king

Who to him that boon accorded;

How discovering who I am

He persuaded me my proper

Dress to assume, and on Estrella

To attend as maid of honour,

So to thwart Astolfo’s love

And prevent the marriage contract.

Let us, too, pass by, that here

thou didst once again behold me

In a woman’s dress, my form

Waking thus a twofold wonder,

And approach the time, Clotaldo

Being convinced it was important

That should wed and reign together

Fair Estrella and Astolfo,

‘Gainst my honour, me advised

To forego my rightful project.

But, O valiant Sigismund,

Seeing that the moment cometh For thy vengeance, since heaven wishes

Thee to-day to burst the portals

Of thy narrow rustic cell,

Where so long immured, thy body

Was to feeling a wild beast,

Was to sufferance what the rock is,

And that ‘gainst thy sire and country

Thou hast gallantly revolted,

And ta’en arms, I come to assist thee,

Intermingling the bright corselet

Of Minerva with the trappings

Of Diana, thus enrobing

Silken stuff and shining steel

In a rare but rich adornment.

On, then, on, undaunted champion!

To us both it is important

To prevent and bring to nought

This engagement and betrothal;

First to me, that he, my husband,

Should not falsely wed another,

Then to thee, that their two staffs

Being united, their joined forces

Should with overwhelming power

Leave our doubtful victory hopeless.

Woman, I come here to urge thee

To repair my injured honour,

And as man I come to rouse thee

Crown and sceptre to recover.

Woman I would wake thy pity

Since here at thy feet I throw me,

And as man, my sword and person

In thy service I devote thee.

But remember, if to-day

As a woman thou should’st court me,

I, as man, will give thee death

In the laudable upholding,

Of my honour, since I am

In this strife of love, this contest,

Woman my complaints to tell thee,

And a man to guard my honour.

SIGISMUND [aside]. Heavens! if it is true I dream, Memory then suspend thy office,

For ‘tis vain to hope remembrance

Could retain so many objects.

Help me, God! or teach me how

All these numerous doubts to conquer, Or to cease to think of any!—

Whoe’er tried such painful problems?

If ‘twas but a dream, my grandeur,

How then is it, at this moment,

That this woman can refer me

To some facts that are notorious?

Then ‘twas truth, and not a dream;

But if it was truth (another

And no less confusion,) how

Can my life be called in proper

Speech a dream? So like to dreams

Are then all the world’s chief glories,

That the true are oft rejected

As the false, the false too often

Are mistaken for the true?

Is there then ‘twixt one and the other

Such slight difference, that a question

May arise at any moment

Which is true or which is false?

Are the original and the copy

So alike, that which is which

Oft the doubtful mind must ponder?

If ‘tis so, and if must vanish,

As the shades of night at morning,

All of majesty and power,

All of grandeur and of glory,

Let us learn at least to turn

To our profit the brief moment

That is given us, since our joy

Lasteth while our dream lasts only.

In my power Rosaura stands,

Thou, my heart, her charms adoreth,

Let us seize then the occasion;

Let love trample in its boldness

All the laws on which relying

She here at my feet has thrown her.

‘Tis a dream; and since ‘tis so,

Let us dream of joys, the sorrows

Will come soon enough hereafter.

But with mine own words just spoken,

Let me now confute myself!

If it is a dream that mocks me,

Who for human vanities

Would forego celestial glory?

What past bliss is not a dream?

Who has had his happy fortunes Who hath said not to himself

As his memory ran o’er them,

“All I saw, beyond a doubt

Was a dream.” If this exposeth

My delusion, if I know

That desire is but the glowing

Of a flame that turns to ashes

At the softest wind that bloweth;

Let us seek then the eternal,

The true fame that ne’er reposeth,

Where the bliss is not a dream,

Nor the crown a fleeting glory.

Without honour is Rosaura.

But it is a prince’s province

To give honour, not to take it:

Then, by Heaven! it is her honour

That for her I must win back,

Ere this kingdom I can conquer.

Let us fly then this temptation.

[To the Soldiers.

‘Tis too strong: To arms! March onward!

For to-day I must give battle,

Ere descending night, the golden

Sunbeams of expiring day

Buries in the dark green ocean.

ROSAURA. Dost thou thus, my lord, withdraw thee?

What! without a word being spoken?

Does my pain deserve no pity?

Does my grief so little move thee?

Can it be, my lord, thou wilt not

Deign to hear, to look upon me?

Dost thou even avert thy face?

SIGISMUND. Ah, Rosaura, ‘tis thy honour

That requires this harshness now,

If my pity I would show thee.

Yes, my voice does not respond,

‘Tis my honour that respondeth;

True I speak not, for I wish

That my actions should speak for me;

Thee I do not look on, no,

For, alas! it is of moment,

That he must not see thy beauty

Who is pledged to see thy honour.

[Exit followed by the Soldiers.

ROSAURA. What enigmas, O ye skies!

After many a sigh and tear,

Thus in doubt to leave me here

With equivocal replies!

* * * * *

SCENE XI.

CLARIN and ROSAURA.

CLARIN. Madam, is it visiting hour?

ROSAURA. Welcome, Clarin, where have you been?

CLARIN. Only four stout walls between

In an old enchanted tower;

Death was on the cards for me,

But amid the sudden strife

Ere the last trump came, my life

Won the trick and I got free.

I ne’er hoped to sound again.

ROSAURA. Why?

CLARIN. Because alone I know

Who you are: And this being so,

Learn, Clotaldo is … . . This strain

Puts me out.

[Drums are heard.

ROSAURA. What can it be?

CLARIN. From the citadel at hand,

Leagured round, an armed band

As to certain victory

Sallies forth with flags unfurled.

ROSAURA. ‘Gainst Prince Sigismund! and I,

Coward that I am, not by

To surprise and awe the world,

When with so much cruelty

Each on each the two hosts spring!

[Exit.

* * * * *

SCENE XII.

CLARIN; and Soldiers within.

Voices of some. Live, long live our victor King!

Voices of others. Live, long live our liberty!

CLARIN. Live, long live the two, I say!

Me it matters not a pin,

Which doth lose or which doth win,

If I can keep out of the way!—

So aside here I will go,

Acting like a prudent hero,

Even as the Emperor Nero

Took things coolly long ago.

Or if care I cannot shun,

Let it ‘bout mine ownself be;

Yes, here hidden I can see

All the fighting and the fun;

What a cosy place I spy

Mid the rock there! so secure,

Death can’t find me out I’m sure,

Then a fig for death I say!

[Conceals himself, drums beat and the sound of arms is heard.

* * * * *

SCENE XIII.

BASILIUS, CLOTALDO, ASTOLFO, flying. — CLARIN concealed.

BASILIUS. Hapless king! disastrous reign!

Outraged father! guilty son!

CLOTALDO. See thy vanquished forces run

In a panic o’er the plain!

ASTOLFO. And the rebel conqueror’s stay,

Proud, defiant.

BASILIUS. ‘Tis decreed

Those are loyal who succeed,

Rebels those who lose the day.

Let us then, Clotaldo, flee,

Since the victory he hath won,

From a proud and cruel son.

[Shots are fired within, and CLARIN falls wounded from his hiding-place.

CLARIN. Heaven protect me!

ASTOLFO. Who can be

This last victim of the fight, Who is struck down in the retreat,

Falls here bleeding at our feet?

CLARIN. I am an unlucky wight,

Who to shun Death’s fearful face

Found the thing I would forget:

Flying from him, him I’ve met.

For there is no secret place

Hid from death; and therefore I

This conclusion hold as clear,

He ‘scapes best who goes more near,

He dies first who first doth fly.

Then return, return and be

In the bloody conflict lost;

Where the battle rages most,

There is more security

Than in hills how desolate,

Since no safety can there be

‘Gainst the force of destiny,

And the inclemency of fate;

Therefore ‘tis in vain thou flyest

From the death thou draw’st more nigh,

Oh, take heed for thou must die

If it is God’s will thou diest!

[Falls within.

BASILIUS. Oh, take heed for thou must die

If it is God’s will thou diest!—

With what eloquence, O heaven!

Does this body that here lieth,

Through the red mouth of a wound

To profoundest thoughts entice us

From our ignorance and our error!

The red current as it glideth

Is a bloody tongue that teaches

All man’s diligence is idle,

When against a greater power,

And a higher cause it striveth.

Thus with me, ‘gainst strife and murder

When I thought I had provided,

I but brought upon my country

All the ills I would have hindered.

CLOTALDO. Though, my lord, fate knoweth well Every path, and quickly findeth

Whom it seeks; yet still it strikes me

‘Tis not christian-like to say

‘Gainst its rage that nought suffices.

That is wrong, a prudent man

Even o’er fate victorious rises;

And if thou art not preserved

From the ills that have surprised thee,

From worse ills thyself preserve.

ASTOLFO. Sire, Clotaldo doth address thee

As a cautious, prudent man,

Whose experience time hath ripened.

I as a bold youth would speak:

Yonder, having lost its rider,

I behold a noble steed

Wandering reinless and unbridled,

Mount and fly with him while I

Guard the open path behind thee.

BASILIUS. If it is God’s will I die,

Or if Death for me here lieth

As in ambush, face to face

I will meet it and defy it.

* * * * *

SCENE XIV.

SIGISMUND, ESTRELLA, ROSAURA, Soldiers, Attendants, BASILIUS, ASTOLFO, and CLOTALDO.

A SOLDIER. ‘Mid the thickets of the mountain,

‘Neath these dark boughs so united,

The King hides.

SIGISMUND. Pursue him then,

Leave no single shrub unrifled,

Nothing must escape your search,

Not a plant, and not a pine tree.

CLOTALDO. Fly, my lord!

BASILIUS. And wherefore fly?

ASTOLFO. Come!

BASILIUS. Astolfo, I’m decided.

CLOTALDO. What to do?

BASILIUS. To try, Clotaldo,

One sole remedy that surviveth.

[To SIGISMUND.

If ‘tis me thou’rt seeking, Prince, At thy feet behold me lying.

[Kneeling.

Let thy carpet be these hairs

Which the snows of age have whitened.

Tread upon my neck, and trample

On my crown; in base defilement

Treat me with all disrespect;

Let thy deadliest vengeance strike me

Through my honour; as thy slave

Make me serve thee, and in spite of

All precautions let fate be,

Let heaven keep the word it plighted.

SIGISMUND. Princes of the Court of Poland, Who such numerous surprises

Have astonished seen, attend,

For it is your prince invites ye.

That which heaven has once determined,

That which God’s eternal finger

Has upon the azure tablets

Of the sky sublimely written,

Those transparent sheets of sapphire

Superscribed with golden ciphers

Ne’er deceive, and never lie;

The deceiver and the liar

Is he who to use them badly

In a wrongful sense defines them.

Thus, my father, who is present,

To protect him from the wildness

Of my nature, made of me

A fierce brute, a human wild-beast;

So that I, who from my birth,

From the noble blood that trickles

Through my veins, my generous nature,

And my liberal condition,

Might have proved a docile child,

And so grew, it was sufficient

By so strange an education,

By so wild a course of living,

To have made my manners wild;—

What a method to refine them!

If to any man ‘twas said,

“It is fated that some wild-beast

will destroy you,” would it be

Wise to wake a sleeping tiger

As the remedy of the ill?

If ‘twere said, “this sword here hidden In its sheath, which thou dost wear,

Is the one foredoomed to kill thee,”

Vain precaution it would be

To preserve the threatened victim.

Bare to point it at his breast.

If ‘twere said, “these waves that ripple

Calmly here for thee will build

Foam-white sepulchres of silver,”

Wrong it were to trust the sea

When its haughty breast is lifted

Into mountain heights of snow,

Into hills of curling crystal.

Well, this very thing has happened

Unto him, who feared a wild-beast,

And awoke him while he slept;

Or who drew a sharp sword hidden

Naked forth, or dared the sea

When ‘twas roused by raging whirlwinds

And though my fierce nature (hear me)

Was as ‘twere the sleeping tiger,

A sheathed sword my innate rage

And my wrath a quiet ripple,

Fate should not be forced by means

So unjust and so vindictive,

For they but excite it more;

And thus he who would be victor

O’er his fortune, must succeed

By wise prudence and self-strictness.

Not before an evil cometh

Can it rightly be resisted

Even by him who hath foreseen it,

For although (the fact’s admitted)

By an humble resignation

It is possible to diminish

Its effects, it first must happen,

And by no means can be hindered.

Let it serve as an example

This strange sight, this most surprising

Spectacle, this fear, this horror,

This great prodigy; for none higher

E’er was worked than this we see,

After years of vain contriving,

Prostrate at my feet a father,

And a mighty king submitted.

This the sentence of high heaven

Which he did his best to hinder He could not prevent. Can I,

Who in valour and in science,

Who in years am so inferior,

It avert? My lord, forgive me,

[To the King.

Rise, sir, let me clasp thy hand;

For since heaven has now apprized thee

That thy mode of counteracting

Its decree was wrong, a willing

Sacrifice to thy revenge

Let my prostrate neck be given.

BASILIUS. Son, this noble act of thine

In my heart of hearts reviveth

All my love, thou’rt there reborn.

Thou art Prince; the bay that bindeth

Heroes’ brows, the palm, be thine,

Let the crown thine own deeds give thee.

ALL. Long live Sigismund our King!

SIGISMUND. Though my sword must wait a little Ere great victories it can gain,

I to-day will win the highest,

The most glorious, o’er myself.—

Give, Astolfo, give your plighted

Hand here to Rosaura, since

It is due and I require it.

ASTOLFO. Though ‘tis true I owe the debt,

Still ‘tis needful to consider

That she knows not who she is;

It were infamous, a stigma

On my name to wed a woman … .

CLOTALDO. Stay, Astolfo, do not finish;

For Rosaura is as noble

As yourself. My sword will right her

In the field against the world:

She’s my daughter, that’s sufficient.

ASTOLFO. What do you say?

CLOTALDO. Until I saw her

To a noble spouse united,

I her birth would not reveal.

It were now a long recital,

But the sum is, she’s my child.

ASTOLFO. That being so, the word I’ve plighted

I will keep.

SIGISMUND. And that Estrella

May not now be left afflicted,

Seeing she has lost a prince

Of such valour and distinction,

I propose from mine own hand

As a husband one to give her,

Who, if he does not exceed

Him in worth, perhaps may rival.

Give to me thy hand.

ESTRELLA. I gain

By an honour so distinguished.

SIGISMUND. To Clotaldo, who so truly

Served my father, I can give him

But these open arms wherein

He will find what’er he wishes.

A SOLDIER. If thou honorest those who serve thee, Thus, to me the first beginner

Of the tumult through the land,

Who from out the tower, thy prison,

Drew thee forth, what wilt thou give?

SIGISMUND. Just that tower: and that you issue Never from it until death,

I will have you guarded strictly;

For the traitor is not needed

Once the treason is committed.

BASILIUS. So much wisdom makes one wonder.

ASTOLFO. What a change in his condition!

ROSAURA. How discreet! how calm! how prudent!

SIGISMUND. Why this wonder, these surprises, If my teacher was a dream,

And amid my new aspirings

I am fearful I may wake,

And once more a prisoner find me

In my cell? But should I not,

Even to dream it is sufficient:

For I thus have come to know

That at last all human blisses

Pass and vanish as a dream,

And the time that may be given me

I henceforth would turn to gain:

Asking for our faults forgiveness,

Since to generous, noble hearts It is natural to forgive them.

Document Outline

- INTRODUCTION.

- LIFE IS A DREAM.

- TO

- PERSONS.

- LIFE IS A DREAM.

- SCENE I.

- SCENE II.

- SCENE III.

- SCENE IV.

- SCENE V.

- SCENE VI.

- SCENE VII.

- SCENE VIII.

- SCENE I.

- SCENE II.

- SCENE III.

- SCENE IV.

- SCENE V.

- SCENE VI.

- SCENE VII.

- SCENE VIII.

- SCENE X.

- SCENE XI.

- SCENE XII.

- SCENE XIII.

- SCENE XIV.

- SCENE XV.

- SCENE XVI.

- SCENE XVII.

- SCENE XVIII.

- ACT THE THIRD.

- SCENE I.

- SCENE II.

- SCENE III.

- SCENE IV.

- SCENE V.

- SCENE VI.

- SCENE VII.

- SCENE VIII.

- SCENE IX.

- SCENE X.

- SCENE XI.

- SCENE XII.

- SCENE XIII.

- SCENE XIV.

Table of Contents

INTRODUCTION.

LIFE IS A DREAM.

TO

PERSONS.

LIFE IS A DREAM.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE X.

SCENE XI.

SCENE XII.

SCENE XIII.

SCENE XIV.

SCENE XV.

SCENE XVI.

SCENE XVII.

SCENE XVIII.

ACT THE THIRD.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE IX.

SCENE X.

SCENE XI.

SCENE XII.

SCENE XIII.

SCENE XIV.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE X.

SCENE XI.

SCENE XII.

SCENE XIII.

SCENE XIV.

SCENE XV.

SCENE XVI.

SCENE XVII.

SCENE XVIII.

ACT THE THIRD.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE IX.

SCENE X.

SCENE XI.

SCENE XII.

SCENE XIII.

SCENE XIV.

TO

PERSONS.

LIFE IS A DREAM.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE X.

SCENE XI.

SCENE XII.

SCENE XIII.

SCENE XIV.

SCENE XV.

SCENE XVI.

SCENE XVII.

SCENE XVIII.

ACT THE THIRD.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE IX.

SCENE X.

SCENE XI.

SCENE XII.

SCENE XIII.

SCENE XIV.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE X.

SCENE XI.

SCENE XII.

SCENE XIII.

SCENE XIV.

SCENE XV.

SCENE XVI.

SCENE XVII.

SCENE XVIII.

ACT THE THIRD.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE IX.

SCENE X.

SCENE XI.

SCENE XII.

SCENE XIII.

SCENE XIV.

LIFE IS A DREAM.

TO

PERSONS.

LIFE IS A DREAM.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE X.

SCENE XI.

SCENE XII.

SCENE XIII.

SCENE XIV.

SCENE XV.

SCENE XVI.

SCENE XVII.

SCENE XVIII.

ACT THE THIRD.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE IX.

SCENE X.

SCENE XI.

SCENE XII.

SCENE XIII.

SCENE XIV.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE X.

SCENE XI.

SCENE XII.

SCENE XIII.

SCENE XIV.

SCENE XV.

SCENE XVI.

SCENE XVII.

SCENE XVIII.

ACT THE THIRD.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE IX.

SCENE X.

SCENE XI.

SCENE XII.

SCENE XIII.

SCENE XIV.

TO

PERSONS.

LIFE IS A DREAM.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE X.

SCENE XI.

SCENE XII.

SCENE XIII.

SCENE XIV.

SCENE XV.

SCENE XVI.

SCENE XVII.

SCENE XVIII.

ACT THE THIRD.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE IX.

SCENE X.

SCENE XI.

SCENE XII.

SCENE XIII.

SCENE XIV.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE X.

SCENE XI.

SCENE XII.

SCENE XIII.

SCENE XIV.

SCENE XV.

SCENE XVI.

SCENE XVII.

SCENE XVIII.

ACT THE THIRD.

SCENE I.

SCENE II.

SCENE III.

SCENE IV.

SCENE V.

SCENE VI.

SCENE VII.

SCENE VIII.

SCENE IX.

SCENE X.

SCENE XI.

SCENE XII.

SCENE XIII.

SCENE XIV.